The fourth concert in the Brno Philharmonic's Philharmonic at Home subscription series, subtitled Metamorphoses and conducted by Dennis Russell Davies, was dedicated to works by Joseph Haydn, Antonín Rejcha and Richard Strauss. Pianist Ivan Ilić was originally scheduled to appear as soloist in Rejcha's Piano Concerto, but for health reasons he cancelled the concert. Jan Bartoš promptly took over, enabling the audience to hear the original programme on Thursday 30 January at the Besední dům.
Thursday's concert opened with Symphony No. 87 in A major by Joseph Haydn (1732-1809). The composition is part of the Paris Symphonies series (Nos. 82-87) and was, paradoxically given its number, the first of the series. The composition is characterised by its clear form, melodic invention and, especially in the first and last movements, a light and exultant atmosphere. This was wonderfully performed by the Brno Philharmonic under Davies' baton. The symphony had an energy and lightness to it, and the minor and major differences in expression came through beautifully. There were no mistakes in intonation or interplay and the technically flawless interpretation was backed by an enjoyable energy. It is also worth mentioning the excellent flute and oboe concertante parts in the second movement, and the oboe one in the third movement.
The first half ended with Piano Concerto in E-Aflat major by Antonín Rejcha (1770-1836), which is the composer's only concerto for this instrument and was probably written in 1804, during his time in Vienna. The solo part is highly virtuoso and greatly overshadows the orchestra, yet the overall instrumentation is masterfully crafted. Until recently, the concerto was known only from a manuscript stored in the French National Library, which, however, lacked the ending of the solo part, which had to be written for the performance. It was only in 2018 that previously unidentified missing pages were found in the library's collection. At Thursday's concert, the audience had the chance to hear the concert as Rejcha wrote it. It should be noted that the composer didn't make things easy for the soloist. Pianist Jan Bartoš, however, did an amazing job with this technically very tricky part. Without a single hesitation, he riffed his way through all the numerous runs and underpinned his technical excellence with a very sensitive approach to tone and phrasing. The Brno Philharmonic Orchestra handled the accompanying role with honour. Although there was a slight discrepancy in the orchestral introduction and then in the final movement, these were nothing serious. Moreover, the ensemble sounded very good under the solo part, letting pianist Jan Bartoš really shine.
The concert closed with a study for 23 solo string instruments, Metamorphoses by Richard Strauss (1864-1949). Composed at the end of the Second World War, the piece combines two ideas: the mourning of the devastation that the war had wreaked on Germany, and especially on its culture, and Strauss reckoning up his own closing life. Despite the overall agonizing mood, the composition has a reconciliatory end. The orchestra followed up well on its performance in the first half of the concert and there were no significant mistakes overall. Perhaps the tuning wasn't always 100% right, but it didn't last long or really detract from the show. The musicians kept a perfectly tight rhythm and there were no problems even with the sudden stop-starts in the passages. It was nice to see that Davies waited for a while before hanging up his baton to enable the work to resound for a while.
The orchestra's excellent performance coupled with pianist Jan Bartoš's absolutely bravura work at the keys made for a successful and enjoyable concert. In the end, nobody could complain that the original soloist wasn't able to appear on the stage of the Besední dům.
Joseph Haydn: Symphony No. 87 in A Major
Antonín Rejcha: Piano Concerto in G Major
Richard Strauss: Metamorphoses, study for 23 solo string instruments
Jan Bartoš - piano
Brno Philharmonic
Dennis Russell Davies – conductor
30 January 2025 at 7 p.m., Besední dům
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