With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Music.
In contrast to the rest of the show, whose dramaturgy this time gave priority to modern compositions (including several world premières), the opening concert was filled with music from the High Baroque period. The oratorio Il serpente del bronzo by the composer Jan Dismas Zelenka, whom many call "the Czech Bach", was performed by Ensemble Inégal under the direction of conductor Adam Viktora. Before the start of the concert, the director of the Brno Philharmonic Marie Kučerová and a Custos from the monastery addressed the audience. Together they presented the programme of the concert and the festival and wished the audience a wonderful show.
Zelenka's oratorio, which consists of nineteen movements, is framed by two choral ascents. The others are devoted to recitatives, arias and duets. They featured five soloists in Gabriela Eibenová - soprano (Egla), Jaro Kirchgessner - alto (Namuel), Elvira Bill - alto (Azaria), Jaroslav Březina - tenor (Mosé) and Roman Hoza - bass (Dio).
All the soloists should be praised for adding distinct facial expressions to the singing itself, which helped to convey the affects required in this baroque music. It was also true of all the singers that in their renditions, the texts being recited could be understood (at least at the front of the church).
Countertenor Jaro Kirchgessner gave an excellent performance in which all the notes were well matched and all the coloratura were well sung. Only on a few of the lower notes his voice was not as strong as on the higher ones, in which he absolutely excelled. The same applied to soprano Gabriela Eibenová. She handled all the melodic embellishments without any problems, she also managed the big tonal jumps perfectly, only in the lower positions was her voice slightly weakened. In terms of intonation, Roman Hoza's delivery was also very good. In his case, however, not all the coloratura were performed with absolute care and attention. Still, he gave a solid performance and his voice was strong in all positions. Also with Elvira Bill, both high and low notes sounded extremely good and her intonation was excellent. Jaroslav Březina gave an absolutely masterful performance, his part was intonationally precise and his voice was strong in all positions. Added to this was his perfect work with dynamics, in which he handled the crescendos perfectly, even on single notes.
The most powerful moments of the whole oratorio can certainly be described as the opening and closing choral parts. This is due to both the composition itself and the performance of the choir. All the singers were in perfect harmony with each other, the singing was excellent and a full, dense choral sound flowed through the church. The orchestra, led by Adam Viktora, impressed from the very first notes with the almost stormy energy that the work, especially in some parts, demanded. On the other hand, in places where the sound needed to be weaker and more intimate, the musicians were able to allow the soloists to shine. The integrity of the whole concert was disturbed only by a short tuning of the instruments after movement XI, which, however, cannot be condemned, as the cold environment of the church carries a great risk of the instruments becoming out of tune during their playing. However, even this disturbance was not significant and Ensemble Inégal, with the help of the soloists, gave the audience an excellent performance, which was certainly appreciated by all lovers of Baroque music and music in general.
Jan Dismas Zelenka: Il serpente del bronzo (The Bronze Serpent)
Gabriela Eibenová - soprano (Egla)
Jaro Kirchgessner - alto (Namuel)
Elvira Bill - alto (Azaria)
Jaroslav Březina - tenor (Mosé)
Roman Hoza - bass (Dio)
Ensemble Inégal
Adam Viktora - conductor
Sunday 14 March 2024 at 8 pm, Church of St. John
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