Concentus Moraviae and Smetana's Metamorphoses

3 June 2024, 13:40
Concentus Moraviae and Smetana's Metamorphoses

Like other music festivals, the 29th annual Concentus Moraviae International Music Festival has not only had to reflect the fact that it is the Year of Czech Music, but also the unique 200th anniversary of the birth of Bedřich Smetana, the founder of modern Czech music. The dramaturgy of this year’s festival, which has just launched, is in the spirit of "Metamorphoses: Czech Smetana!". The first festival concert, which took place on 31 May at the Kyjov Municipal Cultural Centre, gave a hint of the direction the rest of the festival's dramaturgy will take. The organisers of the show decided to explore Smetana's work from a fresh angle and to work not only with the music, but also with the audience’s expectations. The opening evening saw a performance of Smetana's famous String Quartet No. 1 in E minor From My Life, but in an arrangement for a symphony orchestra penned by conductor and pianist George Szell. Smetana's work was complemented by the world première of the Concerto for Flute and Orchestra "Sadunkertoja" by Finnish composer, conductor and artist in residence at the 29th annual festival, Olli Mustonen, commissioned especially for the festival. Mustonen also conducted the Prague Philharmonia's performance of the two works. Danish flautist Janne Thomsen performed as soloist.

After the introductory speech and the traditional parade, the evening opened with Mustonen's Concerto for Flute and Orchestra "Sadunkertoja". The title of the work means "teller of fables" and as the composer himself stated, "the word has a mysterious, mythical connotation associated with the world of Kalevala and its singers". Apart from the theme, the composition is also unusual in its instrumental line-up: besides the strings, timpani and harp, wind instruments are abundantly represented, with the exception of the oboe and the flute, which plays a solo part - it is the latter that personifies the imaginary "narrator".

concentus_moraviae_zahajeni_2024_foto_majda_slamova_02

The opening movement Poetico e misterioso - Furioso opens with the quiet swirl of the timpani, which is later joined by the dark pizzicatos of the double basses and the deep tones of the bassoons. The long flute notes that follow thus offer a tonal as well as a melodic contrast. Although the expansion of the musical texture and the inclusion of other instruments broadens the musical palette of the piece, the flute still has the main say here - there is no one to interrupt the narrator and the orchestra's occasional "questions" always build a dialogue with the flute. (The principle of dialogue is also essential for the other movements of the piece.) The Furioso movement is characterised by a distinctive rhythmic style with a slight tendency towards minimalism, demanding melodic runs and a timbre based primarily on a combination of winds and strings. It is here that certain elements of playfulness and mischievousness appear, which the composer builds on especially in the second movement, Allegro Scherzando. One of the distinctive and recurring motifs even brings to mind the similarly comic and exuberant trombone motif from the opening movement of Shostakovich's Symphony No. 9. It was this movement that gave Janne Thomsen the chance to fully present the ease and careful articulation of the melodic runs and the excellent expression and phrasing. The final Lento - Estatico returns to the opening darkness and distinctive Nordic lyricism and makes imaginative use of orchestral colours, especially in the Estatico section. In the programme, the composer states that "some elements of his work may come close to the great Czech composers Smetana, Dvořák, Martinů and Janáček". Although he is mainly referring to the inspiration he drew from the world of fairy tales and his fascination with folk culture, the resemblance to Dvořák, for example, was quite naturally apparent in some of the instrumental parts. In any case, Mustonen's composition was an excellent and novel way of opening the festival, whether its connection with Czech composers was intentional or purely accidental. It is also essential to note that the performance was conducted by the composer himself, making for a truly authentic rendition.

concentus_moraviae_zahajeni_2024_foto_majda_slamova_04

The Smetana part of the programme in the form of an orchestral version of String Quartet No. 1 From My Life was also a fresh and original piece of dramaturgy and I believe that it was a controversial work for many concert-goers. Although not for reasons of quality! George Szell showed an excellent grasp of Smetana's instrumentation, a fact that is more than evident in the result (although, of course, it may be argued that Smetana’s Quartet itself was naturally suited to the orchestration). Nevertheless, this is one of the best-known works in the Czech quartet canon, and it may be assumed that audiences will find it hard to immediately free themselves fully from the familiar musical ideas instilled after many, many listens. Orchestral versions of original chamber works can be touchy subjects, and it tends to be no surprise when arrangements like this are criticised for turning the original intimacy into a false opulence that is not inherent in the work. However, I believe that this is not the case here. After a short while, the reins are taken up by the successful instrumentation and the orchestra’s excellent performance, giving the piece the chance to fully show off its orchestral colours, which after all significantly recontextualises and thus, in line with the theme of this year's festival, metamorphoses the original version for a string quartet. Mustonen did a superb job with the orchestration and built much of the musical impact on his perfect work with dynamics and tempo, as well as on his excellent understanding of the new timbre of the piece, or orchestration. The members of the Prague Philharmonia played as finely as we have come to expect and with perfect intonation and rhythm. However, unfortunately, the acoustics of the hall were rather "dry", which did not suit the brass in particular. However, the players definitely gave a commendable performance.

The grand opening of this year's Concentus Moraviae International Music Festival was a great success - the audience was treated to an outstanding, contemporary yet accessible composition by the festival's artist in residence, and had a unique opportunity to see Smetana's famous composition in a fresh light. All this led by an excellent conductor and with great performances by the soloist and the orchestra. All that remains now is to enjoy the colourful metamorphosis of Smetana's work...

Janne Thomsen / flute

Olli Mustonen / Conductor in Residence at the 29th annual Festival

Prague Philharmonia

Programme:

Olli Mustonen: Concerto for flute and orchestra "Sadunkertoja" - world première

Bedřich Smetana: String Quartet No. 1 in E minor "From My Life" (arranged for symphony orchestra by George Szell)

Kyjov, Municipal Cultural Centre

Friday, 31 May 2024, 7:00 p.m.

Photo: Majda Slámová / Concentus Moraviae

Photo: Majda Slámová / Concentus Moraviae

Comments

Reply

No comment added yet..

Like other music festivals, the 29th annual Concentus Moraviae International Music Festival has not only had to reflect the fact that it is the Year of Czech Music, but also the unique 200th anniversary of the birth of Bedřich Smetana, the founder of modern Czech music. The dramaturgy of this year’s festival, which has just launched, is in the spirit of "Metamorphoses: Czech Smetana!". The first festival concert, which took place on 31 May at the Kyjov Municipal Cultural Centre, gave a hint of the direction the rest of the festival's dramaturgy will take. The organisers of the show decided to explore Smetana's work from a fresh angle and to work not only with the music, but also with the audience’s expectations. The opening evening saw a performance of Smetana's famous String Quartet No. 1 in E minor From My Life, but in an arrangement for a symphony orchestra penned by conductor and pianist George Szell. Smetana's work was complemented by the world première of the Concerto for Flute and Orchestra "Sadunkertoja" by Finnish composer, conductor and artist in residence at the 29th annual festival, Olli Mustonen, commissioned especially for the festival. Mustonen also conducted the Prague Philharmonia's performance of the two works. Danish flautist Janne Thomsen performed as soloist.  more

As part of Ensemble Opera Diversa's Musical Inventory series of concerts, which began back in 2017, the ensemble aims to present (re)discovered works and composers that we rarely hear on stage. However, this dramaturgical line also offers the space and initiative to create some completely new works performed in world premières. This time, the chamber concert held on Wednesday, 29 May 2024 in the auditorium of the Rector's Office of the Brno University of Technology (BUT) was directed by the Diversa QuartetBarbara Tolarová (1st violin), Jan Bělohlávek (2nd violin), David Křivský (viola), Iva Wiesnerová (cello), OK Percussion Duo (Martin OpršálMartin Kneibl), soloists Aneta Podracká Bendová (soprano) and pianist Tereza Plešáková. The theme was a nod to the Prague composition school from a pedagogical and artistic perspective.  more

The concert with the subtitle Haydn and Shostakovich in G Minor closed the Philharmonia at Home subscription series on Thursday 16 May at the Besední dům. It was also the last concert of the 2023/24 season (not counting Friday's reprise), with the Brno Philharmonic led by its chief conductor Dennis Russell Davies. In the second half of the evening the orchestra was accompanied by singers Jana Šrejma Kačírková (soprano) and Jiří Služenko (bass). As the title of the concert implies, the dramaturgy juxtaposed works by Joseph Haydn and Dimitri Shostakovich, which are almost exclusively linked only by the key in which they were written.  more

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

The last opera première of the National Theatre Brno this year was Hurvínek Sells the Bride, which was co-produced with the Spejbl and Hurvínek Theatre. The première continued the thematic focus associated with the Year of Czech Music and took place on 24 November in the large hall of the Reduta Theatre.  more

With Thursday's concert entitled Bruckneriana, the Brno Philharmonic under the direction of Principal Conductor Dennis Russell Davies launched the subscription series Philharmonia in the Theatre I. The orchestra performed works by Anton Bruckner and Stanislaw Skrowaczewski, a Polish-American conductor and composer who devoted his life's work to Bruckner. Performers wearing crimson sashes with the inscription "Playing forte!” appeared in front of the audience, joining the "Let's not let culture die” initiative, which draws attention to the underfunding of culture and opposes the government's plan to invest just 0.64% of the state budget into culture next year, moving further and further away from its promise to spend at least 1%.  more

The Brno Philharmonic Orchestra has been running the Orchestral Academy of the Brno Philharmonic (OAFB) project for nine seasons, enabling young talented musicians to gain orchestral experience in a professional ensemble. In this manner, the orchestra educates the next generation of musicians, both permanent and external. However, working here also gives young people the opportunity to show their skills in chamber music and in a concert series called Young Blood aka Music Up Close. The first seasonal concert took place on Wednesday 15 November at Besední dom.  more

Baladas da Luta, Fighting Ballads, is the title of the sixth album by Brazilian singer Mariana Da Cruz and her Swiss-Brazilian band Da Cruz. It is a combination of modern music that combines Latin American tradition and contemporary electronic elements with strong lyrics. In them, the author fights for women’s rights, stands up against dictatorships and specifically criticizes the atmosphere that has evolved in Brazil under the now former authoritarian President Bolsonaro. Da Cruz performed at Brasil Fest Brno in August 2023. We revisit this festival with an interview conducted following their concert at Zelný trh. Singer Mariana Da Cruz and keyboard player and producer Ane Hebeisn, performing as Ane H, responded to our questions.  more

The programme for Janáček Brno 2024, an international opera and music festival now in its 9th year, was unveiled at a concert held to mark this occasion entitled Janáček to the start! On Saturday, 4 November, the Mahen Theatre was filled not only with devoted fans of the festival, but also with foreign journalists, politicians and prominent figures from the world of culture. In addition to a collection of wonderful musical performances, the audience was also treated to a lineup of renowned artists – Kateřina Kněžíková (soprano), Václava Krejčí Housková (mezzo-soprano), Josef Špaček (violin) and, last but not least, Robert Kružík, who took on the role of both conductor leading the Orchestra of the Janáček Opera at the National Theatre Brno during the evening and also performing as a cellist.  more

The musical comedy The Addams Family is the latest production to hit the stage of the Music Theatre of Brno City Theatre. Audiences are in for an ironic, slightly morbid and enticingly horrific spectacle for the whole family. A musical production has been crafted here which serves up a famous contemporary pop culture phenomenon, as well as a generous helping of hyperbole and catchy melodies to boot. And testament to the audience’s hunger for this wacky family is the fact that all thirty performances are already nearly sold out…  more

The Ensemble Versus choir, accompanied by the Ensemble Opera Diversa under the baton of Gabriela Tardonová, demonstrated what a combination of historical and modern instruments sounds like within a contemporary musical context in the Red Church. The dramaturgical line of Tuesday evening was presented in the spirit of a combination of the works of Carlo Gesualdo da Venosa (1566-1613) and the world premiere of Exsultet by the principal composer Ondřej Kyas (*1979), which also includes parts written for cornett (Radovan Vašina), dulcian (Jan Klimeš), trombone (Pavel Novotný) and theorbo (Marek Kubát).  more

The second New World of Moravian Autumn festival began on Thursday in Brno’s Besední dům. This project, by students of the Faculty of Music at the Janáček Academy of Performing Arts, was primarily originally created for the practical musical programming course and intended to be a one-off event during the Moravian Autumn the year before last. Subsequently, however, more students signed up and started working on a repeat festival. The dramaturgy for New World 2023 was handled by percussionists Adéla Spurná and David Paša, bassoonists Aneta Kubů and Josef Paik, and multimedia composer Martin Janda. Three concerts were prepared for 19, 20 and 21 October for this mini festival.  more

Editorial

This year is the 15th anniversary of the Mozart's Children Festival. It is organised by the Brno Philharmonic and the Brno Elementary Art School - Smetanova 8. It aims to give young talents from South Moravia the opportunity to play in a professional orchestra, the best of whom will then perform as soloists accompanied by philharmonic orchestras.  more

The upcoming 69th season of the Brno Philharmonic is centred around three numbers - 90, 200 and 150. The entire season will see the celebration of numerous anniversaries, the performance of several masterpieces and a wealth of world-class soloists such as soprano Chen Reiss, tenor Christoph Prégardien, pianist Alexandre Tharaud, cellist Steven Isserlis, percussionist Adélaïde Ferrière and violinist and conductor Fabio Biondi.  more

Some of the big names coming to Brno in the autumn include Al Di Meola, one of the greatest ever jazz-rock guitarists, and cult American saxophonist Kamasi Washington. Composer and multi-instrumentalist Jiří Slavík will be appearing with the nine-member ensemble Polka-boys to perform their Polkatime project, radical reworkings on the polka that in places even border on ragtime. The autumn will also see the continuation of the Club Life series at Cabaret des Péchés. This time with the singer and "jazz artist for the hip hop generation" José James and a double concert featuring two of the Czech Republic’s leading jazz line-ups - the Robert Balzar Trio and the Matej Benko Quintet.  more

The new programme of the Ensemble Versus chamber choir pays homage to the Feast of Pentecost. Along with other 20th and 21st century choral works, the première will feature three new compositions on liturgical texts commissioned by the ensemble. The concert will be conducted by Patrik Buchta.  more

The last concert from the Invisible City series is entitled Samá láska (Love Alone), based on the poetry collection by Jaroslav Seifert. For the first time ever, an orchestra will play in the Brno Underground Reservoir with the première featuring three compositions written specifically for this space. The pieces are by three Czech composers, Petr Hromádka, Naomi Savková and Tomáš Šenkyřík, and they will talk about music that cannot love.  more

The samba and other Brazilian rhythms will have the summer streets of Brno packed with music and dance. The city will welcome Brasil Fest Brno at the beginning of August. This year's fifth annual festival will feature two-time Latin Grammy winner, guitarist and singer João Bosco, as well as pop singer Marina Sena. The festival will host a carnival in the streets, accompanied by concerts and workshops.  more

Terroir, a term used especially in the wine industry, is the subheading of this year's 31st annual Easter Festival of Sacred Music. It refers to the set of natural conditions, especially soil properties, which give a crop its distinctive character. Terroir perfectly describes the dramaturgy of this year's edition, which is focused exclusively on the work of domestic composers in the Year of Czech Music.  more

The Brno Culture Newsletter brings you an overview of what is happening in theatres, clubs, festivals and cultural events in Brno.  more

The Musica Florea ensemble is preparing a new concert programme to be performed for the first time this April. This year marks the 170th anniversary of Leoš Janáček's birth, and to mark the occasion the ensemble has taken up his earliest compositions to set them alongside works from the early Italian Baroque. Musica Florea will be performing with conductor Mark Štryncl. The soloists will be Barbora Kabátková, Stanislava Mihalcová, Daniela Čermáková, Hasan El Dunia and Jaromír Nosek.  more

Easter concerts are already a tradition at the Brno City Theatre. This Easter, the Rock Mass will be performed on Friday and Saturday at the Music Stage of the Brno City Theatre.  more