Reviews

The piano recital by the chief conductor of the Brno Philharmonic Denis Russell Davies and his wife the pianist Maki Namekawa yesterday in Besední dům offered three works by three significant figures from American minimalism. The concert included minimalist works by Steve Reich in the shape of Piano Phase, the composition Hallelujah Junction by John Adams and Four Movements for Two Pianos by Philip Glass.  more

Evenings of  the cycle named Music Stocktaking of the Brno-based orchestra Ensemble Opera Diversa regularly bring to light various half-forgotten works by Czech composers. This Tuesday's concert in the concert hall of the Convent of Merciful Brother [Konvent Milosrdných bratří] became a commemorative tribute to the anniversary of the tragic years 1939 and 1969. Violinist Milan Paľa and pianists Kristýna Znamenáčková and Lucie Pokorná performed alongside the orchestra. The performance was conducted by the permanent conductor of the orchestra Gabriela Tardonová.  more

In the hall of Blahoslav House (the centre for the Evangelical Church of the Czech Brethren) yesterday evening there were performances of religious works from the late Renaissance and the early Baroque by the chamber choir Ensemble Versus and the period instruments ensemble Castello in Aria. Both bodies were conducted by the artistic director Vladimír Maňas. In yesterday’s programme there were both proven works and unknown ones by rarely performed European composers.  more

Yesterday Brno City Theatre gave the European premiere of the musical The Last Ship, written by the world-famous musician Sting. It is a mixture of his wonderful music drawn from British folk, a successfully and honestly told tale and also a strong acting performance, which should guarantee the production’s successful voyage to the audience.  more

The latest opera production of the National Theatre in Brno is Don Carlos by the composer Giuseppe Verdi and the poet Friedrich Schiller. This work, directed by the director of this institution, Martin Glaser, had its premiere on Saturday 2 February 2019 in the Janáček Theatre. The stage set was designed by Pavel Borák and the costumes by Markéta Sládečková-Oslzlá. Lighting was the responsibility of Martin Špetlík. The performance was conducted by Jaroslav Kyzlink, who also produced the performance with the choir and orchestra of the Janáček Opera of the National Theatre in Brno. The main roles were filled by Luciano Mastro as Don Carlos and Federico Sacchi as King Philip II, Carlos’ father; Jiří Brückler is the friend of the title character and the confidant of the king, Rodrigo, Marquis of Posa. Linda Ballová took the part of the young queen and madly infatuated Elisabeth of Valois; the figure of the vengeful Princess Eboli, who secretly loves the king’s son was played by Veronika Hajnová-Fialová. The intimidating inquisitor was played by Ondrej Mráz. Also appearing were Andrea Široká, Martina Mádlová, Zdeněk Nečas and David Szendiuch.  more

Yesterday in Besední dům classical music lovers had their very first chance to hear the new chief conductor of the Brno Philharmonic Dennis Russell Davies also in the role of piano soloist. Under Davies’ baton there was a performance of the Symphony in D major, Op. 23 by the Vamberk native Jan Václav Hugo Voříšek and the premiere of the orchestral arrangement of the chamber work by Antonín Dvořák Bagatelles, Op. 47 created by the chief conductor himself. Davies took his place at the piano to play the Piano Concerto No. 24 in C minor by Wolfgang Amadeus Mozart. The chief conductor will also be performing as soloist in two upcoming recitals, playing for example works by Steve Reich, John Adams and Philip Glass.  more

We can often hear the works of contemporary composers connected to Brno in the performances of local ensembles. But it is not usual for them to reach a wider audience, and in that fashion, a relatively inconspicuous recital dedicated to the works of Brno composers took place yesterday at the Brothers of Charity Convent. A much greater level of attention should be raised by the interpreter Milan Paľa. He had, in his own words “decided to do something for Moravian music” and create in the coming years several CD’s mapping the repertoire for violin or viola by composers connected to Moravia. The Cantus Moraviae project already has its first double CD, which was christened at yesterday’s concert.  more

A sold out Fléda Club. Shoulder to shoulder. And yet, in this huge crowd you meet six classmates from the grammar school you went to in the first half of the nineties and a colleague with whom you later studied journalism. The band Dunaj (“Danube”) has returned to the stage after twenty years and its hometown was of course one of their first important stops.  more

Usually, we associate concerts of classical music with the evening hours, formal attire and in some cases even a glass of wine. Last Saturday showed us that the morning hours are not any less good a time for a musical production. In the Crystal Room of the Old Town Hall, an hour before noon, a a performance of cello sonatas by Ludwig van Beethoven, Claude Debussy and Dmitri Shostakovich by the cellist Štěpán Filípek and the pianist Mark Pinzow took place. The concert was organised by the National Theatre Brno.  more

The main programme focus of this year’s Janáček Brno 2018 international festival is the performance of all of the composer’s musical-dramatic works. After the popular success of Káťa Kabanová and the precisely staged The Makropulos Affair yesterday it was the turn of the Polish ensemble Teatr Wielki from Poznan with a performance of Jenůfa, a work which, twelve years after its Brno premiere in 1904 opened the doors to the international musical scene to Leoš Janáček.  more

Many diverse and qualitatively varied opera performances were heard at the festival Janáček Brno 2018. Every now and then a production appears that divides Brno audiences into two irreconcilable camps, one overjoyed by the innovativeness, many non-musical references and bold direction, while the others lament the illogical symbolism, departures from the libretto, seeing it even as a slap in the face of the composer. The song cycle The Diary of One Who Disappeared from the Belgian ensemble Muziektheater Transparant as directed by Ivo van Hove and with compositional annotations by Annelies Van Parys is controversial in the true sense of the word. The scenographer Jan Versweyveld, the costume designer An D’Huys and the dramaturge Krystian Lada also took part in this new stage form. The solo roles were taken by Ed Lyon, Marie Hamard and Hugo Koolschijn, accompanied on the piano by Lada Valešová and the choral academy De Munt/La Monnaie also took part in the production. The Diary of One Who Disappeared was performed yesterday in the hall of the Mahen Theatre.  more

Two servings of first class musical mastery and each one different. One was musical show that was demanding for its audience, where only informed listeners perceived it as a reminder of tragic events. And the second was a lighter dance-like evening with songs that could be sung by the whole of the hall at the Sono Centre. The organisers of JazzFest Brno have shown that no two jazz quintets are alike. Both of the leaders in the last two concerts of this year’s festival rightly got the stormy applause they deserved. At the same time you could hardly see on stage two such different musicians as Terence Blanchard and Richard Bona.  more

On Tuesday the tones of folk song resounded in the courtyard of the Rectorate of Brno University of Technology on Antonínská street in Brno. The first folk accompanying programme of the festival Janáček Brno 2018 carried the poetic name Kvítí milodějné (which might translate as Merciful Flowers), borrowed from the composer’s eponymous arrangements from a unique song cycle of Moravian folk poetry. The entire programme had an interesting and attractive concept, in which there were performances of three versions of folk material from the collections of Leoš Janáček. All three were close not only to the composer himself but were also generally popular.  more

The international music festival Janáček Brno 2018 yesterday opened its sixth year with a new production of the opera The Cunning Little Vixen. The performance was directed by the artistic director of the Brno Opera Jiří Heřman, the stage sets were designed by Dragan Stojčevski, the costumes by Alexandra Grusková and the lighting was by Daniel Tesař. The role of Bystrouška was taken by Jana Šrejma Kačírková, the forester was Svatopluk Sem, Zlatohřbítek was played by Václava Krejčí Housková, Schoolmaster/Mosquito by Ondřej Koplík, Priest/Badger by Jan Šťáva and Harašta by Roman Hoza. The orchestra of the National Theatre in Brno performed under its chief conductor Marko Ivanović, who was also responsible for the musical production of the work.  more

Brno City Theatre has come out with another premiere of a Czech musical in the form of Big. This musical novelty, taken from the film of the same name, will entertain children, adolescents and their parents. This musical tale is truly for all the generations. Big is a family comedy, in places also a fantasy spectacle, in others a romantic sweet piece about love or an exciting story of an impatient little boy, in which however all ends well.  more