Ondřej Pivec: The Muse is Kind to Me

25 October 2017, 5:00

Ondřej Pivec: The Muse is Kind to Me

As part of the Moravia Music Fest on 16 November the group Organic Quartet with Ondřej Pivec will be performing in Brno’s Metro Music Bar. This organist of Czech origin, who has lived in New York since 2009, has in recent years worked with the major signer Gregory Porter, and for his work on his album Take Me To The Alley even won a Grammy. In Brno he is presenting his new album Terms And Conditions Apply, which he recorded with his former Czech fellow players – the guitarist Libor Šmoldas, the drummer Tomáš Hobzek and the saxophonist Jakub Doležal.

Ondřej, at the start of this year you got a Grammy for your work on the Gregory Porter album Take Me To The Alley. What was your immediate reaction? Where you there for the awards ceremony?

I wasn’t there. It took place on a Sunday when I was on duty in the church where I play the organ. But as soon as I got home I played the several-hour-long broadcast on the internet. At the moment when they began to announce the category of Best Vocal Jazz Album, in which Gregory Porter was nominated, I dropped my meal. Of course I was overjoyed that Gregory won. I then got a certificate to show that I also won the prize.

Another major theme for this year is the new album from your Organic Quartet, a Czech group with which you celebrated great success before you departure to the United States. How did it happen that you issued something new with Organic Quartet after a decade?

Already for some time I had been talking with the guitarist Libor Šmoldas about how we should resuscitate Organic Quartet. We had planned a smaller tour for April 2016, we had agreed some dates, but in March I got a call from Gregory Porter’s manager, asking if I could go in April on a tour in England. And he was thinking of the whole month. So I compromised – I went on tour with Gregory, but there was also some playing with Organic. One of these concerts took place in Prague at Jazz Dock and we invited Petr Ostrouchov, director of Animal Music. After the concert he came to me and said: “It looks like after all these years you don’t get on each other’s nerves. And you are still playing well. Wouldn’t you like to bring out a new album on the occasion of the tenth birthday of Animal Music?” We were taken with the idea, and we also liked another of Petr’s proposals, that we should record on tape, like it used to be.

I was interested in the idea that you do not get on each other’s nerves. How was it to play together after so many years? In the meantime in America you had gained a lot of experience and the other players must also have progressed.

It was great and perhaps better than before, because none of us was under any kind of economic pressure. Previously I was financially depended on playing the organ with Organic, but that is not the case today for any of us. We are all in the group of our own free will and for the joy of it and we were even surprised how well it went. Last year in April we mainly played our old hits and we realised that we still have it under our skin. We did not even have to rehearse, as we still remembered everything.

Your new album Terms And Conditions Apply contains a new repertoire. I was interested to see that all four of you participated in it. You are the main writer but you did less than half of the pieces overall.

We agreed that beforehand. From the start Organic Quartet was a group linked with me, but in this case we all wrote new pieces directly for this disk. We sent each other scores and demo versions by E-mail. So when we got together for the first rehearsal we already knew it all. Earlier when someone brought something new to Organic it took a while before we decided how it should ideally sound. Today we all know straight away the author’s intentions.

How and where do you normally compose?

I don’t have any specific approach. Sometimes it’s the rhythm that comes to me first, and at others the melody and harmony, and yet others it is the harmonic progression and on that I build the melody. I think I somehow naturally learned how to shift into creative mode. When I have to I can come up with something. When I had to write pieces for the new disc, I sat down and had two works ready in one morning. Before I had various creative blocks, but now I am more open and the muse is kind to me.

While on older albums there is Ondřej Pivec & Organic Quartet, this time your name is absent from the front cover. Why?

I wanted it like that. I am not spending as much time in Czechia as before and I wanted the album to help us all to the same extent. So we decided that the album would carry portraits of all four of us.

How did analogue recording on tape work for you?

Given that it is a jazz group, it was simpler. We did not have to cut anything. All of us took it as a challenge and we recorded it in such a way that it was practically impossible to correct anything. We had to play well. And I think we did play well and the disc came out great.

How is the resulting sound?

It is different than with digital recording. I recognise it because recently a lot of studio work has been devoted to it. It can easily be seen already when mixing. We recorded it on twenty four tracks and from there we mixed it straight to left and right. When you mix sound digitally you deal with every decibel and it can be heard. In analogue it can be heard as well, but somehow it all sounds good. Tape softens everything and the result is a very pleasant sound. We brought out the album also on vinyl. When you play it you have a guarantee that during the whole process there was not even a hint of digital technology. And I recommend it to everyone – it is a super experience.

You listen to vinyl at home?

Yes, I have a lot of discs – Aretha Franklin, old Tower of Power, George Benson, Off The Wall by Michael Jackson. It sounds really good from vinyl.

You mentioned the cover of your new album. How important for digitally propagated music is the cover to you?

The album itself and its cover are bound together, even if obviously the music comes first. I always liked covers, as I liked looking at the pictures. We were particularly concerned with the cover for the vinyl version. We also included there notes for all the pieces. And as far as our four portraits on the album cover are concerned, we agreed that every ten years we will bring out a new disc with a similar cover.

In mid-November you will once more be going on a short Czech tour with Organic Quartet. What can fan look forward to?

A new repertoire, lots of energy and four handsome guys … (laughs)

How is your cooperation with Gregory Porter going?

Very productive. We had agreed that next year I am going on tour with him from the end of March to the end of April and a few days ago that was extended to from mid-March to mid-May.

Currently you are bringing out a disc with the American group Kennedy Administration. What can you tell me about it?

It is a very important project for me. I made a strong contribution to the disc as an author and producer and I am really happy with the result. It came out in Germany as a gramophone record and CD and in Japan on CD. It looks like we will be flying to Tokyo in February.

Ondřej Pivec/ Photo from the artist’s archive

Comments

Reply

No comment added yet..

On Saturday, 24 August, the Korean radio orchestra KBS Symphony Orchestra with its musical director - Finnish conductor and violinist Pietari Inkinen - came to Brno's Špilberk Festival with an exclusively romantic repertoire. The invitation was also accepted by South Korean violinist Bomsori Kim, a graduate of the prestigious Julliard School.  more

For a quarter of a century now, the Brno Philharmonic has been organising the Špilberk Festival at the end of August in the courtyard of the castle of the same name. Four open-air musical evenings offer the audience a selection of concerts featuring classical, film and computer music, as well as often jazz and other genres. This makes it a diverse mix of performers and repertoires with an often pleasant, summery, laid-back ambience. This year's big and rapdily sold-out attraction was the Wednesday evening of 21 August, full of melodies from the James Bond films, performed by the Czech National Symphony Orchestra, headed by world-renowned conductor, composer and arranger Steven Mercurio. During the concert, the audience also got to enjoy singers Sara MilfajtováVendula Příhodová and David Krausmore

As part of its European tour, the Taiwanese Taipei Philharmonic Chamber Choir (TPCC), under the direction of artistic director and choirmaster Dr. YuChung Johnny Ku, took the city up on its invitation and visited Brno. The concert was held on Monday, 13th August in the hall of the newly renovated Passage Hotel.  more

The final concert of this year's season of the Brno Philharmonic was devoted to works by Antonín Dvořák and Jean Sibelius at the Janáček Theatre. On Thursday, 20 June, Danish conductor Michael Schønwandt, who had not appeared before a Brno audience since January last year, took the lead of the Philharmonic. In the first half of the programme, the orchestra was accompanied by violinist Alexander Sitkovetskymore

In the spirit of the idea that Brno and folklore belong together, the Folklore Ensemble Happening of the Year took place on Thursday 6 June. The event was organised by the Brno UNESCO City of Music Office in cooperation with the Brno Dances and Sings association. The event thus became part of a long-term project that set out to map the amateur music scene in Brno, and not only folk music. Last year Brno City of Music reached out to choirs in a similar way, and in the future will host garage bands and more. This just goes to prove the diversity of Brno's music scene, not only as regards professional ensembles, but also enthusiastic amateurs for whom music is an inseparable part of their lives.  more

The Brno Dances and Sings Association and TIC Brno organised the 49th annual Brno Dances and Sings show on 6 June. The programme, concentrated into a single day, was busier than in previous years. The subtitle Year of Folklore Ensembles was borrowed from the project of the same name organised by the Brno UNESCO City of Music Office.  more

A year ago we would have found an Asian market in the New Synagogue in Velké Meziříčí. However, the town decided to buy the building and has started to make more fitting and dignified use of it. On Wednesday 5 June, during the ongoing Concentus Moraviae festival, audiences could visit this heritage site and enjoy a chamber concert by singer and violinist Iva Bittová and her women's choir Babačka, featuring musicians Jakub Jedlinský (accordion) and Pavel Fischer (violin).  more

The evening concert by Ensemble Opera Diversa entitled The Face of Water, which took place on 4 June outdoors in the atrium of the Moravian Library in Brno, was preceded by a morning discussion between Professor Miloš Štědron and Associate Professor Vladimír Maňas from the Institute of Musicology at Masaryk University. They both enjoyed an engaging talk on the theme of water in art (from Gregorian chant to the early 20th century), concluding with a sample of the edition and the playing of a recording of Janáček's symphony The Danube. The concert, conducted by Gabriela Tardonová and inspired by the theme of water, featured one world and three Czech premières. Harpist Dominika Kvardová appeared as a soloist.  more

Like other music festivals, the 29th annual Concentus Moraviae International Music Festival has not only had to reflect the fact that it is the Year of Czech Music, but also the unique 200th anniversary of the birth of Bedřich Smetana, the founder of modern Czech music. The dramaturgy of this year’s festival, which has just launched, is in the spirit of "Metamorphoses: Czech Smetana!". The first festival concert, which took place on 31 May at the Kyjov Municipal Cultural Centre, gave a hint of the direction the rest of the festival's dramaturgy will take. The organisers of the show decided to explore Smetana's work from a fresh angle and to work not only with the music, but also with the audience’s expectations. The opening evening saw a performance of Smetana's famous String Quartet No. 1 in E minor From My Life, but in an arrangement for a symphony orchestra penned by conductor and pianist George Szell. Smetana's work was complemented by the world première of the Concerto for Flute and Orchestra "Sadunkertoja" by Finnish composer, conductor and artist in residence at the 29th annual festival, Olli Mustonen, commissioned especially for the festival. Mustonen also conducted the Prague Philharmonia's performance of the two works. Danish flautist Janne Thomsen performed as soloist.  more

As part of Ensemble Opera Diversa's Musical Inventory series of concerts, which began back in 2017, the ensemble aims to present (re)discovered works and composers that we rarely hear on stage. However, this dramaturgical line also offers the space and initiative to create some completely new works performed in world premières. This time, the chamber concert held on Wednesday, 29 May 2024 in the auditorium of the Rector's Office of the Brno University of Technology (BUT) was directed by the Diversa QuartetBarbara Tolarová (1st violin), Jan Bělohlávek (2nd violin), David Křivský (viola), Iva Wiesnerová (cello), OK Percussion Duo (Martin OpršálMartin Kneibl), soloists Aneta Podracká Bendová (soprano) and pianist Tereza Plešáková. The theme was a nod to the Prague composition school from a pedagogical and artistic perspective.  more

The concert with the subtitle Haydn and Shostakovich in G Minor closed the Philharmonia at Home subscription series on Thursday 16 May at the Besední dům. It was also the last concert of the 2023/24 season (not counting Friday's reprise), with the Brno Philharmonic led by its chief conductor Dennis Russell Davies. In the second half of the evening the orchestra was accompanied by singers Jana Šrejma Kačírková (soprano) and Jiří Služenko (bass). As the title of the concert implies, the dramaturgy juxtaposed works by Joseph Haydn and Dimitri Shostakovich, which are almost exclusively linked only by the key in which they were written.  more

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

Editorial

This year's 35th annual Prague Cantat international choir competition also featured the Brno choir Gloria Brunensis, which won first place in the Women's Choir category and a special prize for its performance of Der Wassermannmore

Zuzana Čtveráčková, translator for the Brno City Theatre, has won the competition organised by the European Union Songbook Association, which in July 2020 invited translators to translate the lyrics of selected Czech songs into singable/melodic English.  more

Singer-songwriter, composer and producer Katarzia is preparing two concerts with her band. They will be played in Brno and Prague. Both performances will feature a special line-up combining acoustic instruments and electronics. The music and lyrics will be enhanced by projected works of Czech-Icelandic artist DVDJ NNS. In addition, the Brno concert will be filmed by Czech Television under the direction of Tereza Reková. At the same time, Katarzia will be presenting some new work - her electronic album "Rest in Euphoria" with music composed for the eponymous performance of Prague's Cirk La Putyka will be released in early December.  more

The Cotatcha Orchestra big band has been on the music scene for 10 years. They will be celebrating with a spectacular concert at the Goose on a String Theatre together with four guests - singers Lenka Dusilová and Géraldine Schnyder, double bass matador Vincenzo Kummer and trombonist and Latin Grammy winner Ilja Reijngoud. The sixteen-member ensemble nominated for the Anděl Award was founded by trumpeter Jiří Kotača to play original and original big band music. The anniversary concert will feature a selection of their best from past and present, including new works. All accompanied by animations by Magdalena Bláhová.  more

Due to an injury, the Staatskapelle Berlin will not be led by its chief conductor Christian Thielemann at the festival concert. Standing in for him will be conductor Jakub Hrůša, who has already performed with his Bamberg Symphonies at the Janáček Brno Festival this year.  more

The Brno Philharmonic has announced a new date for Pavel Černoch's concert, as a substitute for his summer concert at Špilberk that was brought to an end by a storm. The concert is scheduled for May 2025.  more

The Brno Culture Newsletter presents an overview of upcoming events and opportunities concerning theatres, clubs and other cultural events in Brno.  more

Although there are still two concerts left before the end of this year's JazzFestBrno festival, the organisers are already coming up with the line-up for next year. From the beginning of February to May, they’ll be offering a total of thirteen concerts featuring major world jazz stars and intimate performances from the Club Life series in the stylish Cabaret des Péchés. The winner of five Grammys, singer Dianne Reeves, one of the most respected figures in the world of orchestral jazz, nine-time Grammy winner Maria Schneider with the Oslo Jazz Ensemble, jazz piano stars and Grammy winners Kris Davis and Sullivan Fortner, the British trio Mammal Hands combining jazz and electronics, Italian virtuoso guitarist Matteo Mancuso - these and many others will all be coming to Brno.  more

The concert is dedicated to the memory of the forty children drowned during World War II on Mendlovo náměstí (20 November 1944). The concert will feature the world premières of two commissioned compositions, Adagio for Orchestra by Adrián Demoč and the meditative Exercise of Breath and Spirit by Pavel Zlámal. Clarinettist Marek Švejkar will perform the Czech première of Domaines by Pierre Boulez and the final performance will be the somewhat atypical Actions by Polish composer Krzysztof Penderecki.  more

Johann Sebastian Bach as a ground-breaking composer and the composers who were inspired by his work are the subject of the concert Schnittke 90 & Bach, to be played by the Brno Philharmonic on Thursday and Friday, opening another subscription series. The concerts will be conducted by Robert Kružík at the Besední dům.  more