Alica Heráková: I am Roma myself and I see it differently

2 June 2014, 1:00

Alica Heráková: I am Roma myself and I see it differently

The biggest problems are those we find closest to us. This applies to cities just as it does to people. The area between the streets Cejl and Francouzská is widely considered to be the most dangerous and the most problematic part of Brno. It is, in fact, a small area which one can cover on foot within just twenty minutes. Or thirty, if one walks really slowly. In our eyes, it has gradually become a major problem we refer to as the Brno Bronx. Many Roma live there and if you go there at night you may never walk again. Why do people think so? What are the local people like and why does this part of Brno host the Ghettofest festival? I sought answers from the co-organiser of the festival Alica Heráková.

I admit I don’t know where to start because there is so much to talk about. So I’ll start with the simplest of questions: what is Ghettofest and what is it good for?
It is a multi-genre cultural festival whose concept was conceived with regard to the specific attributes of the part of Brno known as the Bronx. It was conceived by people who live here or who are otherwise related to it. Their contribution to the festival is based on the fact that they feel good and safe here. The general perception is that it is a dangerous location that has turned into a ghetto. The purpose of this event is to prove, through first-hand experience, that it actually is not. And so we have come up with something that gives space to locals and, at the same time, attracts people from other parts of the city. It is not like the Khamoro festival which offers a purely Roma line-up. In the case of our festival, various genres and various types of people gather.

The area bordered by Bratislavská, Francouzská and Cejl streets is nicknamed the Brno Bronx. What’s behind this nickname?
The most typical attribute of the area is that it is the “Sudetenland of Brno” of sorts. This area has seen, on several occasions, the departure of the local populace which defined the atmosphere of the area. First of all Jewish people, and then the German population after WWII. After WWII this area was settled, in an organised effort, by the Roma and now they are leaving. It is not violent deportation like their predecessors. It is a result of the process of gentrification. It means that the downtown Brno is expanding, this location is attractive to construction developers and socially disadvantaged classes have to move.

This has never been a richer part of the city…
It was the industrial outskirts of Brno. Of course you could find classier houses with large apartments but also apartments for the workforce or factories. After WWII the large apartments were divided into smaller ones so that they could accommodate as many Roma workers as possible. No, it has never been a nice neighbourhood. But its atmosphere is determined by the fact that the original inhabitants who originally created the atmosphere are no longer here. And one can tell. The local Roma mingle with a younger generation of newcomers who like lower rents or the specific multicultural spirit. Several decades have passed and the local populace is changing again.

Ghettofest is not a festival for the support of the Roma. But whenever one mentions Cejl, Bratislavská or Francouzská (streets), most people immediately think of them. How is the focus of the festival on the coexistence of various communities and ethnic group reflected in the programme?
The programme is based on practical multiculturalism, because this neighbourhood is home to various groups that have to co-exist one way or the other. Initially, the coexistence between the majority and the Roma was strongly reflected in the programme as it is the most discussed public topic. The present day nature of the location is most affected by its most populous ethnic group, i.e. the Roma. We cooperate with the Museum of Roma Culture or with Roma artists. They are given the opportunity to present themselves and to interact with artists from the broader cultural contexts. Due to the increasing demand we have added a food festival to the programme. We would like to somehow address the international cuisine. We are negotiating with the representatives of various communities to invite them to bring and set up vending booths.

In the last population census, the Roma language was indicated as the native language by 40,000 people, while approximately 13,000 respondents identified their nationality as Roma. How come there are so many emotions around such a small number of people?
Any detailed explanation would require a separate interview. Basically this issue can be divided into several categories. Most Roma do not declare their nationality as such and they would indicate they were Czech nationality in the census. The Roma nationality is indicated by individuals who are not afraid to present it publicly, which many Roma are. It is mostly based on their general experience associated with the admission of their identity. Sooner or later they often suffer from the consequences of this admission. So that’s one thing – there are more Roma than the census data provided by them may suggest. Second, the issue of personal identity is a very specific and intimate matter and any generalisation is very tricky. I did indicate the Roma nationality but many people I know did not do the same, simply because it was not a key issue for them and they did not want to be classified as such.

Do you want to expand the festival so that it covers other less popular parts of the city? I am talking about certain parts of Husovice or Dornych…
The area that includes Bratislavská or Hvězdová, and simply the heart of this neighbourhood, poses certain advantages in terms of the production of the event. Plus it is a tradition. Many people will come here. We made one small exception this year; one event will take place at Svitavské nábřeží – namely the sporting activities on Sunday. We had to find space for the large stage because the traditional location, the Hvězdička park, is undergoing renovation. Eventually we decided to stay on the streets of the Bronx because of the convenient transportation. Plus it makes a lot of sense from the point of view of the festival. The expansion of the festival is limited by the fact that all members of the staff are volunteers who have certain limitations. We have recently decided to stretch the programme over several days. If it proves effective, we will be looking for more venues for next year. However, the outcome is a natural product of the people’s interest in being a part of it.

The purpose of Ghettofest is to open this location for one day and offer space for social encounters. What about the remaining 364 days of the year? Does the world outside mix with this world?
The world outside gets in through the gentrification process. This issue is addressed in the expert part of the festival which is strongly community-oriented. Apart from the conventional debate we will offer a seminar focused on community services. That plays a big role here. There are some traditional non-profit organisations specialised in social exclusion issues and in the provision of individualised services to particular clients – such as
Podané ruce or NGO’s specialising in social services. Plus there are several initiatives which are provided a space within the framework of Ghettofest. These initiatives have their roots directly in this neighbourhood. One of them is Sdružení rodičů za férovou školu, which is an informal association of Roma mothers founded about a year ago. They have formed a choir and they will perform at the festival. It is an inside community activity. Other examples include the initiatives of young people who have come from the outside; they rent apartments here with the intention to do something about this place. These efforts include a project named Kreativní centrum in the former prison. So we can definitely see these efforts and the festival should serve as the showcase of these activities. The people who are interested in this location direct their efforts towards Ghettofest so that they can present their activities to the public.

So Ghettofest is a concentration of existing events and activities, it does not create a tailor-made programme?
The two go hand in hand. I live here, I work in the museum and I have certain ties to this place. And even my colleagues can offer a certain know-how and familiarity with this location. We try to use it to our advantage, which I think is the most important thing. Most of the programme created specifically for Ghettofest comes from outside. For example, we can invite 100°C
(band) to perform and we have to pay them. We are going to invite all the dancers from Brno. So essentially the programme is a combination of both of these methods.

What would have to happen before people are able to pass through this neighbourhood on a normal day, for example on their way home to Černá Pole from an evening show at the Radost theatre, without the fear of getting robbed?
I think the “mindshift” is the most important thing. I have recently discussed it with Kamila Zlatušková who referred to it as “the ghetto in your head”. It is the feeling that I am entering a ghetto and I will be robbed on the first corner. So I start avoiding going there altogether. First of all, you need to convince yourself that it does not necessarily have to be like that. And second, Ghettofest gives people the opportunity to meet the Roma. We are creating some space that has been missing here. They spend a few hours together and they eventually realize that there is nothing to be afraid of. The fact that a group of Roma women is standing at a corner does not automatically mean any risk. This has been the main feeling – that a larger number of the Roma automatically means danger. You can get into trouble anywhere in downtown Brno and you have to be prepared if you want to be out at night. The ability to get rid of the preconception that “there is a group of the Roma, they are going to hurt me” is the main prerequisite for the change. I am a Roma myself and I see it differently, but all people who live here keep telling me that it is not a dangerous neighbourhood. It is not a ghetto and it is not the Bronx within the meaning of the French suburbs or a large U.S. city.

Yes, the comparison is ironic because there are 1.5 million inhabitants in the real Bronx...
When a group of artists from Germany came to visit me, one day we were walking down Cejl
(street) at 10:30pm and the street was almost empty and silent. I told them it is the most dangerous street in Brno and they started laughing because their own experience with the most dangerous street was completely different. There are cities in the world where walking is strongly advised against, people use cars and bikes. Compared to that the atmosphere in Brno is completely different.

Life in this neighbourhood has always been specific. It was home to TetraHydroClub or, even earlier, Harlem that also alluded to an infamous part of NYC. It would appear this is a minor problem we are dealing with, but the allusion to the boroughs of NYC makes it more serious.
It is essentially a label. From the point of view of you and me, we can see it. But the point of view of people is different in the case of people who think they see bigger problems. Many people will cross the street if they see a group of Roma coming towards them. The reasons are totally irrational. It is a setting in their heads. As soon as I convince myself that I am somebody’s victim, the probability to actually become one is much bigger. However, this setting is very individual and specific and you cannot just convince people otherwise…

you cannot just tell them “don’t think about it, don’t be afraid of the dentist, don’t be afraid of the Roma”.
Exactly. It is an individual process of self-realisation.

In terms of crime statistics, is it worse here than let’s say in Bohunice?
There is no easy answer because the location known as the Bronx belongs to two boroughs. Crime statistics are kept for boroughs. One of the boroughs begins at, and covers the area to the north of, Francouzská, while the other borough continues in the opposite direction. The crime statistics cannot be used considering the method of collection. That being said, the drug scene is much more active than in the Lesná neighbourhood (as every drug prevention specialist will tell you).

As long as there is no precise data, I will skip this and ask one more thing: what is the most positive and the most negative stereotype about the Roma?
The most positive stereotype is that “all Roma sing and dance”. Some time ago I met a girl, a 100% Roma with zero musical talent. I was really happy and I told her “We need more people like you. You will be a teacher, you will teach what you study, stay away from singing and dancing”. And the most negative stereotype is that the Roma are genetically crime-prone. Everyone who thinks so ought to come to the Museum of Roma Culture, and visit the permanent exhibitions where an old tale is told about the origins of this stereotype. It will be easily refuted.

Comments

Reply

No comment added yet..


On Saturday, 24 August, the Korean radio orchestra KBS Symphony Orchestra with its musical director - Finnish conductor and violinist Pietari Inkinen - came to Brno's Špilberk Festival with an exclusively romantic repertoire. The invitation was also accepted by South Korean violinist Bomsori Kim, a graduate of the prestigious Julliard School.  more

For a quarter of a century now, the Brno Philharmonic has been organising the Špilberk Festival at the end of August in the courtyard of the castle of the same name. Four open-air musical evenings offer the audience a selection of concerts featuring classical, film and computer music, as well as often jazz and other genres. This makes it a diverse mix of performers and repertoires with an often pleasant, summery, laid-back ambience. This year's big and rapdily sold-out attraction was the Wednesday evening of 21 August, full of melodies from the James Bond films, performed by the Czech National Symphony Orchestra, headed by world-renowned conductor, composer and arranger Steven Mercurio. During the concert, the audience also got to enjoy singers Sara MilfajtováVendula Příhodová and David Krausmore

As part of its European tour, the Taiwanese Taipei Philharmonic Chamber Choir (TPCC), under the direction of artistic director and choirmaster Dr. YuChung Johnny Ku, took the city up on its invitation and visited Brno. The concert was held on Monday, 13th August in the hall of the newly renovated Passage Hotel.  more

The final concert of this year's season of the Brno Philharmonic was devoted to works by Antonín Dvořák and Jean Sibelius at the Janáček Theatre. On Thursday, 20 June, Danish conductor Michael Schønwandt, who had not appeared before a Brno audience since January last year, took the lead of the Philharmonic. In the first half of the programme, the orchestra was accompanied by violinist Alexander Sitkovetskymore

In the spirit of the idea that Brno and folklore belong together, the Folklore Ensemble Happening of the Year took place on Thursday 6 June. The event was organised by the Brno UNESCO City of Music Office in cooperation with the Brno Dances and Sings association. The event thus became part of a long-term project that set out to map the amateur music scene in Brno, and not only folk music. Last year Brno City of Music reached out to choirs in a similar way, and in the future will host garage bands and more. This just goes to prove the diversity of Brno's music scene, not only as regards professional ensembles, but also enthusiastic amateurs for whom music is an inseparable part of their lives.  more

The Brno Dances and Sings Association and TIC Brno organised the 49th annual Brno Dances and Sings show on 6 June. The programme, concentrated into a single day, was busier than in previous years. The subtitle Year of Folklore Ensembles was borrowed from the project of the same name organised by the Brno UNESCO City of Music Office.  more

A year ago we would have found an Asian market in the New Synagogue in Velké Meziříčí. However, the town decided to buy the building and has started to make more fitting and dignified use of it. On Wednesday 5 June, during the ongoing Concentus Moraviae festival, audiences could visit this heritage site and enjoy a chamber concert by singer and violinist Iva Bittová and her women's choir Babačka, featuring musicians Jakub Jedlinský (accordion) and Pavel Fischer (violin).  more

The evening concert by Ensemble Opera Diversa entitled The Face of Water, which took place on 4 June outdoors in the atrium of the Moravian Library in Brno, was preceded by a morning discussion between Professor Miloš Štědron and Associate Professor Vladimír Maňas from the Institute of Musicology at Masaryk University. They both enjoyed an engaging talk on the theme of water in art (from Gregorian chant to the early 20th century), concluding with a sample of the edition and the playing of a recording of Janáček's symphony The Danube. The concert, conducted by Gabriela Tardonová and inspired by the theme of water, featured one world and three Czech premières. Harpist Dominika Kvardová appeared as a soloist.  more

Like other music festivals, the 29th annual Concentus Moraviae International Music Festival has not only had to reflect the fact that it is the Year of Czech Music, but also the unique 200th anniversary of the birth of Bedřich Smetana, the founder of modern Czech music. The dramaturgy of this year’s festival, which has just launched, is in the spirit of "Metamorphoses: Czech Smetana!". The first festival concert, which took place on 31 May at the Kyjov Municipal Cultural Centre, gave a hint of the direction the rest of the festival's dramaturgy will take. The organisers of the show decided to explore Smetana's work from a fresh angle and to work not only with the music, but also with the audience’s expectations. The opening evening saw a performance of Smetana's famous String Quartet No. 1 in E minor From My Life, but in an arrangement for a symphony orchestra penned by conductor and pianist George Szell. Smetana's work was complemented by the world première of the Concerto for Flute and Orchestra "Sadunkertoja" by Finnish composer, conductor and artist in residence at the 29th annual festival, Olli Mustonen, commissioned especially for the festival. Mustonen also conducted the Prague Philharmonia's performance of the two works. Danish flautist Janne Thomsen performed as soloist.  more

As part of Ensemble Opera Diversa's Musical Inventory series of concerts, which began back in 2017, the ensemble aims to present (re)discovered works and composers that we rarely hear on stage. However, this dramaturgical line also offers the space and initiative to create some completely new works performed in world premières. This time, the chamber concert held on Wednesday, 29 May 2024 in the auditorium of the Rector's Office of the Brno University of Technology (BUT) was directed by the Diversa QuartetBarbara Tolarová (1st violin), Jan Bělohlávek (2nd violin), David Křivský (viola), Iva Wiesnerová (cello), OK Percussion Duo (Martin OpršálMartin Kneibl), soloists Aneta Podracká Bendová (soprano) and pianist Tereza Plešáková. The theme was a nod to the Prague composition school from a pedagogical and artistic perspective.  more

The concert with the subtitle Haydn and Shostakovich in G Minor closed the Philharmonia at Home subscription series on Thursday 16 May at the Besední dům. It was also the last concert of the 2023/24 season (not counting Friday's reprise), with the Brno Philharmonic led by its chief conductor Dennis Russell Davies. In the second half of the evening the orchestra was accompanied by singers Jana Šrejma Kačírková (soprano) and Jiří Služenko (bass). As the title of the concert implies, the dramaturgy juxtaposed works by Joseph Haydn and Dimitri Shostakovich, which are almost exclusively linked only by the key in which they were written.  more

Connection, unity, contemplation - these words can be used to describe the musical evening of Schola Gregoriana Pragensis under the direction of David Eben and organist Tomáš Thon, which took place yesterday as part of the Easter Festival of Sacred Music at the church of St. Thomas. Not only the singing of a Gregorian chant, but also the works of composer Petr Eben (1929-2007) enlivened the church space with sound and colour for an hour.  more

With a concert called Ensemble Inégal: Yesterday at the church of St. John, Zelenka opened the 31st edition of the Easter Festival of Sacred Music, this time with the suffix Terroir. This slightly mysterious word, which is popularly used in connection with wine, comes from the Latin word for land or soil, and carries the sum of all the influences, especially the natural conditions of a particular location and on the plants grown there. This term is thus metonymically transferred to the programme of this year's VFDH, as it consists exclusively of works by Czech authors, thus complementing the ongoing Year of Czech Musicmore

For the fourth subscription concert of the Philharmonic at Home serieswhich took place on 14 March at the Besední dům and was entitled Mozartiana, the Brno Philharmonic, this time under the direction of Czech-Japanese conductor Chuhei Iwasaki, chose four works from the 18th to 20th centuries. These works are dramaturgically linked either directly through their creation in the Classical period or by inspiration from musical practices typical of that period. The first half of the concert featured Martina Venc Matušínská with a solo flute.  more

The second stop on the short Neues Klavier Trio Dresden's Czech-German tour was at the concert hall of the Janáček Academy of Music on 6 March at 16:00. A programme consisting of world premières by two Czech and two German composers was performed in four cities (Prague, Brno, Leipzig and Dresden).  more

Editorial

This year's 35th annual Prague Cantat international choir competition also featured the Brno choir Gloria Brunensis, which won first place in the Women's Choir category and a special prize for its performance of Der Wassermannmore

Zuzana Čtveráčková, translator for the Brno City Theatre, has won the competition organised by the European Union Songbook Association, which in July 2020 invited translators to translate the lyrics of selected Czech songs into singable/melodic English.  more

Singer-songwriter, composer and producer Katarzia is preparing two concerts with her band. They will be played in Brno and Prague. Both performances will feature a special line-up combining acoustic instruments and electronics. The music and lyrics will be enhanced by projected works of Czech-Icelandic artist DVDJ NNS. In addition, the Brno concert will be filmed by Czech Television under the direction of Tereza Reková. At the same time, Katarzia will be presenting some new work - her electronic album "Rest in Euphoria" with music composed for the eponymous performance of Prague's Cirk La Putyka will be released in early December.  more

The Cotatcha Orchestra big band has been on the music scene for 10 years. They will be celebrating with a spectacular concert at the Goose on a String Theatre together with four guests - singers Lenka Dusilová and Géraldine Schnyder, double bass matador Vincenzo Kummer and trombonist and Latin Grammy winner Ilja Reijngoud. The sixteen-member ensemble nominated for the Anděl Award was founded by trumpeter Jiří Kotača to play original and original big band music. The anniversary concert will feature a selection of their best from past and present, including new works. All accompanied by animations by Magdalena Bláhová.  more

Due to an injury, the Staatskapelle Berlin will not be led by its chief conductor Christian Thielemann at the festival concert. Standing in for him will be conductor Jakub Hrůša, who has already performed with his Bamberg Symphonies at the Janáček Brno Festival this year.  more

The Brno Philharmonic has announced a new date for Pavel Černoch's concert, as a substitute for his summer concert at Špilberk that was brought to an end by a storm. The concert is scheduled for May 2025.  more

The Brno Culture Newsletter presents an overview of upcoming events and opportunities concerning theatres, clubs and other cultural events in Brno.  more

Although there are still two concerts left before the end of this year's JazzFestBrno festival, the organisers are already coming up with the line-up for next year. From the beginning of February to May, they’ll be offering a total of thirteen concerts featuring major world jazz stars and intimate performances from the Club Life series in the stylish Cabaret des Péchés. The winner of five Grammys, singer Dianne Reeves, one of the most respected figures in the world of orchestral jazz, nine-time Grammy winner Maria Schneider with the Oslo Jazz Ensemble, jazz piano stars and Grammy winners Kris Davis and Sullivan Fortner, the British trio Mammal Hands combining jazz and electronics, Italian virtuoso guitarist Matteo Mancuso - these and many others will all be coming to Brno.  more

The concert is dedicated to the memory of the forty children drowned during World War II on Mendlovo náměstí (20 November 1944). The concert will feature the world premières of two commissioned compositions, Adagio for Orchestra by Adrián Demoč and the meditative Exercise of Breath and Spirit by Pavel Zlámal. Clarinettist Marek Švejkar will perform the Czech première of Domaines by Pierre Boulez and the final performance will be the somewhat atypical Actions by Polish composer Krzysztof Penderecki.  more

Johann Sebastian Bach as a ground-breaking composer and the composers who were inspired by his work are the subject of the concert Schnittke 90 & Bach, to be played by the Brno Philharmonic on Thursday and Friday, opening another subscription series. The concerts will be conducted by Robert Kružík at the Besední dům.  more