How the life in one small place has changed over fifty years. The musical film Slovácká suita confronts the current and previous view of the distinctive region.
The musical documentary dedicated to Slovácko (Moravian Slovakia) was filmed by Česká televize Brno with the musical background of Slovácká suita by Vítězslav Novák. It is not the first time. A homonymic film was filmed by the Brno TV by director Kuba Jureček already in 1966. Slovácká suita directed by Jiří Šindar premiered on TV on 8 May 2016. Jureček's film quotes, paraphrases and comments. He also adds his own view of contemporary life.
In addition to Horňácko witnesses of the times, space is also given to contemporary musicians, for whom folklore is still a matter of course, a common musical language, or at least an important source of inspiration. The legendary Dušan Holý and a choir of young girls Oskoruša will appear. Among them Iva Bittová, Musica Folklorica, Horňácká muzika Petra Mičky and the band from Brno called Lesní zvěř. The film keeps the five-part structure of Novák's suite: V kostele, Mezi dětmi, Zamilovaní, U muziky, V noci (In church, Among children, In love, With music, At night).
"There was more poverty, but it was more joyful. Today, it is too shaped," says the commentary of a witness in Šindar's film. However, quotes from Jureček's film do not support it. Jureček filmed the film collage in the spirit of Novák's composition – highly stylised, impressionistic and romantic. At present, the monochrome image adds another dimension. The once basic commonplace warns today: "Attention, art!"
Slovácká suita of Jiří Šinda in the Česká televize on-line archive ➚
A recording of Slovácká suita for today's film was made by the
Hodonín Symphony Orchestra. A ready-made recording of another orchestra could have been certainly used but Šindar's film looks at the shown area in a strictly civilian manner, without pathos. Jureček's film starts with a shot of the conductor František Jílek wearing a tailcoat and leading the Brno State Philharmonic Orchestra. On the contrary, Šindar starts with a shot of the countryside and a crude singing of an old hymn.
Jureček's black and white images smoothly transfer into today's colour mirror. Jureček's materials find the most truthful image on the stage of the contemporary Horňácko Festival➚. Today's wedding will be held in a church, but the wedding guests wear a contemporary dress instead of garbs and the newlyweds are sent off with applause.
The motifs of the folk song are used for improvisation in Iva Bittová's workshop and it is borrowed by the nu-jazz band Lesní zveř. Times are changing slowly, but a strong tradition still finds its place. Mainly the tradition combines Jureček's fifty-year-old shots and today's shots by Šindar.
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