The construction of the year 2012 was the Theatre at Orlí. Besides the actual award I was pleased that it was included in Stavby občanské vybavenosti (Community Facilities Buildings). Someone would often say that theatres are slowly transferred into the category “repository of inadaptable minorities”.
I like theatres and in a way I like them all. Sometimes I think about them and I say to myself in which theatre I haven’t been for a long time and which I should visit next. The dry acoustics of Stavovské divadlo, the beauty of Semperoper in Dresden, the functional dignity of Vienna State Opera with its spacious stairs and on the other hand the claustrophobic hallways of Theater an der Wien, all of this I actually like. I liked the improvised areas of Husa na provázku in Dům umění and the pub passage into Kabinet múz, which returned unlike Husa na provázku. Janáček Theatre is a chapter for itself – dreadful acoustics and sometimes the programme cannot take the fact that it is a theatre for me. I was there for the first time when I was five years old at the performance of Z pohádky do pohádky ballet, and I never stopped visiting it, at least not for long.
I like theatres – I feel nicely isolated from the outside world, where someone constantly spits on the floor. When I personally organize them in an imaginary chart, I feel like a spoiled Czech beer drinker. Such a person is a hundred per cent sure which beer is suitable for drinking and which beer is euro-swipes. But in the end he drinks it anyway and anywhere regardless of his theories. And no price is too high including the horrible swearing and the feeling of betrayal of high moral principles. And he will never be able to explain it to a foreigner, who comes to this beer paradise and who likes everything.
The award of the architectural design of the Theatre at Orlí pleased me, but mainly by the fact that it concerned the theatre building. Immediately after that I thought that it would be better, if any performance of JAMU won a production of the year award in the shabby Barka theatre. I don’t wish someone to work under barely acceptable conditions, but not even the best building would make a good theatre. The author of famous acts from the public administration, Professor C. Northcote Parkinson, even claimed that an institution is condemned to fail in the moment, when it has appropriate space. In 1957 he used the main seat of the UN as proof and I hope that the Theatre at Orlí will not also be such proof. I hope that the awarded building won’t be a nice box for storing useless things – there is enough of them around.
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