For Andrea Parkins, every sound pulse is equally important, the boundary between sound and music virtually disappears for Andrea. In April, the songwriter, multi-instrumentalist and performer is heading to Brno, Ostrava and Prague for solo performances.
When you say sound installation author, performer and sound artist, John Cage and Fluxus can be seen behind it right away. It is no different in the case of Andrea Parkins. Both streams of inspiration are decisive in her work. Like John Cage used to say that he did not mind the noise of New York and, on the contrary, it was inspirational for him, Andrea Parkins refers to her childhood and youth in rural America. She grew up in western Pennsylvania, the character of which is largely determined by the Appalachian Mountains, from which blue grass once descended into the world of blue grass. However, the young musician was more interested in the sound world that surrounded her naturally: birds signing, distant noise of construction machines and passing trains. Sound environment and its subtle and gradual changes in time.
Andrea Parkins started with classical training on the piano, but more than practising she was interested in excitingly sounding errors. In addition to Stravinsky and Renaissance music, she listened to Robert Johnson and James Brown. She bought an analogue synthesizer and wanted to play in a funk band. She did not make her way to creative liberation until the university. She created experimental films and sound collages, focused on video art, and worked with samplers. Live productions with sounds processed in real time are still characteristic for her today. Besides electronics, tapes and sound objects, she also uses accordion as the sound source.
Andrea Parkins's music is not aggressive. It is straightforward, free-flowing and soothing. But it is a soothing effect with a lightly rough hand so it does not make one sleepy. The sounds in their compositions and installations follow each other based on associations rather than logically decipherable context. The new, separate whole comprises fragments of individual sources. Compositions as well as improvisation performances are mainly about the heartfelt result. It is better to let the sound world of Andrea Parkins penetrate you than to analyse it. It is painless and restless penetration.
Five years ago, the album The Kitchen Improvises: 1976-1983 was released as a memory of the past improvisation performances from New York's The Kitchen Club. In February 2016, composer, trombonist and performer George Lewis organised a concert composed of improvisational sets as an analogy to past evenings. In addition to Lewis, Roscoe Mitchell, Earl Howard, Gerry Hemingway and others also contribute to the sound image of the downtown 40 years ago. Oliver Lake, Michael Lytle, Miya Masaoka, Lucie Vítková and Andrea Parkins improvised at the February concert. If improvised music has anything like stars, Parkins is one of them.
Andrea Parkins will play three concerts in the Czech Republic: 27 April in the multi-genre space Praha in Brno, 28 April in the House of Art in Ostrava, and 30 April as part of the festival vs. Interpretation➚ in Prague in the Old Wastewater Treatment Plant in Bubeneč.