Articles

Valerij Gergijev with Karen Cargill and the London Symphony Orchestra closed the Moravian Autumn in a way which swept aside any doubts concerning the importance of the festival. The concert also showed some niches and particularities in our music life and its place in society today.  more

Leoš Janáček (3. June 185–12.August 1928 Ostrava) awaits his round number anniversary – he will have it in the next Year of Czech Music. The Brno opera deals with it as if unable to sell it to the audience, maybe with disdain, it is hard tell from the outside. The only result is that outside the Janáček Brno festival his work is played seldomly and in poor quality. The warning case was the abhorrently done Cunning Little Vixen as part of the Theatre World festival.  more

The members of the Brno Philharmonic started to appear among the customers of Vaňkovka (Wannieck shopping gallery) yesterday afternoon. They appeared with their instruments dressed casually, in the uniforms of the gallery personnel or as janitors. The unusual performance of Vltava symphonic poem was led by the chief conductor Aleksandar Marković , while Pavel Šporcl accompanied on violin.  more

On Saturday, 18 May, the Philharmonic will for the first time add its Besední dům to the Brno Museum Night. Visitors, for whom the viewing of the foyer with its installed exhibition and information material is not enough, will have the opportunity to take an hour-long guided tour of the palace (from 7:00 p.m. every hour): it will lead across the ceremonial staircase into the large hall (talk about the history of the Besední dům and its current function with a mini concert), then through the office of the chief conductor to the directors' lounge (talk about the Philharmonic and another mini concert) and then to the sound room (an ensemble rehearsal room where visitors will hear a third mini concert and can have their questions answered); when leaving they will once again see the hall from the gallery and pass through the small hall (with a bust of Břetislav Bakala) back into the foyer. A musical performance will be performed in the first half of the evening/night - students and choirs of the Smetanova Art School, and then in the second half by the members of the Philharmonic.  more

If an unknowing foreigner had walked through the centre of Brno at night on Monday, he would have been amazed how lively the city was. A large group of dancing people, who were not led by anyone, radiated the joy of movement and rhythm. Everyone in it was in it for themselves, yet part of a community that came to celebrate the International Day of Dance. It has been celebrated in the world for thirty-one years and it reached us in 2010. This year's part in Brno was initiated and convened by Kateřina Honzírek Hanzlíková, Dash Jiříčková, Jan Ondruška and Michaela Ondrašinová. This included dance improvisation in front of JAMU and in Denisovy sady, dance lessons for children with Kateřina H. Hanzlíková and contemporary dance lessons with Dash Jiříčková in the S lehkou hlavou studio. Probably the most visible part of the celebrations was a dance parade through the city which started at Josefská, circled around the city past the cafés Tungsram and Trojka and through Rašínova they danced all the way to Náměstí Svobody.  more

The construction of the year 2012 was the Theatre at Orlí. Besides the actual award I was pleased that it was included in Stavby občanské vybavenosti (Community Facilities Buildings). Someone would often say that theatres are slowly transferred into the category “repository of inadaptable minorities”.  more

To reflect on the oldest history of music in Brno it is perhaps best to go to Moravské náměstí and look at the well-designed relief of the city, capturing its appearance at the time of the Thirty Years War, or imagine Brno in a bird's eye view. Only a few references and names of Brno artists, which remain necessarily discontinuous, have survived from the Middle Ages; therefore it is better to focus on the then key city institutions and their monuments.  more

When in 1978 the sixty- five years old František Jílek suddenly became the head of the Brno State Philharmonic after the departure of ill Jiří Waldhans, no-one could imagine that under this conductor, non-pompous and rather pragmatic and notoriously famous from opera (a symphonic player is also sensitive to this) – and furthermore at retirement age – the philharmonic would experience the best stage of its existing history. And so it happened – and on one hand it was due to Jílek himself, on the other it was due to the orchestra as well as the chain of historical circumstances; at the moment when František Jílek became the chief conductor of the State Philharmonic, he was the right man, whom the orchestra needed, and on the other hand the philharmonic was the right orchestra for an artist of his calibre and experience.  more

England is rightly a feminine word in Czech. You will definitely not find out anything specific, unambiguous or, God forbid, binding from this well-behaved lady. But do not hold it against her – she doesn't know, she is not sure.  more

A blueberry pie smelled wonderfully on the table. The first piece would have nearly vanished into my gut if it had not been for the heart-breaking exclamation from the kitchen: "We are out of maple syrup!" I did not quite understand why the pie is inedible without this sweet sticky fluid; however, I would have hated to talk back to my host. Therefore, we had no choice but to get in the car and go shopping.  more

I arrived in the Scottish capital smartly equipped with several sweaters. Residents of Edinburgh, who finally got to take out their sleeveless shirts from the dressers after the whole year thanks to the 15°C weather, however, unlike me, believed that the hot summer was just peaking. They collectively gave in to various, incomprehensibly festive moods. Instead of comfortably sitting down for Sunday lunch, numerous families camping out on the lawns of city parks were joyfully spreading orange marmalade on toast, all sorts of street clowns and jokers were competing for the audience's favour against the ever-present pipers. In short, the Scots started to go wild outside and I was warming myself up in my hotel room by reading the fire regulations wrapped in blankets. "Do not run and do not yell if flames burst out," it said wisely. I decided to oust the blasphemous idea that a fire would be warm at least by the nostalgic memory of hot Spanish nights. Smiling at the idea of how I am forbidding a temperamental southerner from being loud, while her pillow is smouldering with her morning coffee instead of a cigarette, I fell asleep happily, unfortunately, not for long.  more

Last year before Christmas (19 November) it was a hundred and forty years since the birth of Gracian Černušák, today easily forgotten, but in his time he was the most important musical historian, critic, teacher in Brno – as well as an internationally renowned lexicologist, whose legacy quietly and at the same time fully lives as the source of Czech musical historical information. Born in Ptení in Haná, he went through the dramatic first half of the twentieth century as a secondary school teacher, and was exposed to oppression and wrong from the Nazi and Communist authorities; the constant gravitation towards music made him one of the most important musical figures of that time in our country – and especially in Brno.  more

I share a certain desire of adventure with the French. For example, I am burning with curiosity when I order a local delicacy with my "cute" accent, like marinated legs of the queen of murky waters soaked in the tears of a sad fairy (in a low price level Czech restaurant, this dish would probably be called frogs legs with brown sauce), and they, in the presence of a girl born in one of the countries located to the right of Paris, allegedly inhaling a certain whiff of the exciting eastern atmosphere. I will lose some of my reputation of a woman of steel by claiming that in my country I do not fall asleep to the sound of machine guns and do not drink a litre of vodka a day, however, as soon as my friends find out that the bottle of Bordeaux is empty due to me, I will fix my reputation a little bit. Conversation intertwined with various cheerful board games, such as secret removal of chips from the plate continues in French until I mix up a preposition or gender. Afterwards the native speakers indulgently switch to English, the mutilation of which certainly does not bother them.  more

Even seemingly stoic Swedes like to have fun. My arrival in Stockholm was reminiscent of a field game that children at scout camps cannot wait for every year. Since I have never experienced a stay in this holiday facility, please, consider the similarity between carrying a 30 kg suitcase and completing the following instructions written by the host on a piece of graph paper, only as my illustrations. "Enter the building through one of the glass doors." (God knows which one, they were all locked.) "Unlock the gatehouse with the fifth key from the right. It is hanging on the hook at the height of your eyes. The keys to the apartment are in the envelope which is in one of the drawers. You will get the code to the front door easily, deduct three from F and multiply the result by the total number of windows." Eventually, I completed the test of independence and overall ability to solve the most common life situations to the level of tasks worthy of the Fort Boyard competition and I found myself in an apartment full of that strange milky light of a Northern night. However, I gushed over this natural phenomenon only until I realised that if I do not manage to fall asleep between 1 a.m. and 2 a.m., when the milk turned into something resembling coffee milk in the school cafeteria, sleep will definitely never come because the use of curtains is the same sin for residents of these regions as painting a moustache on the Mona Lisa.  more

Brno, the city of music in history and in stories – second sequel of Jiří Beneš’ series.  more

Another of the jazz evenings regularly organised by the Brno Philharmonic was dedicated to the duo Will Vinson (alto saxophone) and Aaron Parks (piano). These musicians have been working together in various formations for twenty years. So they decided that it was time to try the most intimate and, according to many, the most difficult - playing as a mere duo. These mid-generation jazz musicians performed a selection of classical jazz material as well as several of their own compositions on Monday 10 March at the Besední dům.  more

This year's first concert by the Brno Contemporary Orchestra from the Auscultation series was entitled Gastro (Cuisine), or Dinner for Magdalena Dobromila Rettig (1785-1845). On Sunday, 2 February, the orchestra performed two compositions, or rather performances and happenings by Ondřej Adámek (*1979), who also conducted the pieces, in the dining room of the Masaryk Student House. This was a fairly unusual situation for the audience, when conductor Pavel Šnajdr did not take his place at the head of the orchestra.  more

The fourth concert in the Brno Philharmonic's Philharmonic at Home subscription series, subtitled Metamorphoses and conducted by Dennis Russell Davies, was dedicated to works by Joseph Haydn, Antonín Rejcha and Richard Strauss. Pianist Ivan Ilić was originally scheduled to appear as soloist in Rejcha's Piano Concerto, but for health reasons he cancelled the concert. Jan Bartoš promptly took over, enabling the audience to hear the original programme on Thursday 30 January at the Besední dům.  more

The Brno Philharmonic's New Year's concert on 1 January at the Janáček Theatre is already a well-established tradition. This year was no exception, and the orchestra, led by conductor Michel Tabachnik, gave a performance consisting mainly of works by Johann Strauss the Younger. This was the Brno Philharmonic Orchestra's show opening the 'Strauss Year'. After all, 2025 is the 200th anniversary of the birth of the composer, dubbed the king of waltzes. Strauss's compositions were accompanied by works by Erich Wolfgang Korngold, Richard Strauss and Dimitri Shostakovich.  more

"Culture is a Bridge" was the theme of the second Czech-Austrian Partnership Concert, held on Friday, 20 December at Schloss Thalheim. It was the final evening of the 5th year of the pan-European project Czech Dreams 2024, and also part of the celebrations of the Year of Czech Music and the Concentus Moraviae international music festival. Culture is a bridge that connects not only different generations and social classes, but also entire nations. And the Czech Dreams project, which in 2024 alone presented music by Czech composers in 25 European cities in 17 different countries, is an eloquent example of this. In December alone, besides the final concert in Austria, six more concerts were performed in southern Europe, from Amarante in Portugal to Varaždin in Croatia. The concert was dedicated to the Lower Austrian Governor Erwin Pröll, who has long been committed to building and deepening relations between the Czech Republic and Austria.  more

Christmas in Brno also means the traditional pre-Christmas concert of the Brno Contemporary Orchestra (BCO), this time entitled From America to Tuřany. It took place on 18th December and after a one-year break it returned to the Sokol Hall in Tuřany. The BCO, conducted by Pavel Šnajdr, performed works by Mauricio Kagel, Steve Reich, Trevor Grahl and, as always, Miloslav Kabeláč. Appearing together with the orchestra were four singers, Aneta Podracká BendováKornél MikeczMichal Kuča and Martin Kotulan. At the end of the first half, Pavel Šnajdr set aside his baton and clapped the beat, joined by Petr Hladíkmore

The now world-famous Swedish band Dirty Loops finished their autumn European tour on Saturday, 30 November at Brno's Metro Music Bar. The band featured on the programme of the seventeenth annual Groove Brno funk, soul and jazz festival. The virtuoso trio, consisting of Jonah Nilsson - vocals and keyboards, Henrik Linder - bass guitar and Aron Mellergård - drums, are famous for their flawless technical proficiency, sophisticated original compositions and cover versions of well-known numbers, especially pop songs. However, these songs are often reharmonised in their arrangements and the style is more a combination of disco, pop and jazz fusion. To avoid having to resort to using pre-recorded backing tracks, the trio was joined on tour by keyboardist and vocalist Kristian Kraftlingmore

Ensemble Opera Diversa put a distinctive "spin" on its last orchestral concert of the year. It took place on 26 November at the Alterna music club, which is more a rock, electronica and indie pop hangout than an artistic music venue. The pair of selected pieces consisting of Vojtěch Dlask's premièred work Querell Songs for soprano saxophone and strings and Miloslav Ištvan's Hard Blues for pop-baritone, soprano, reciter and chamber ensemble also reflected this. Naturally, it was Ištvan's Hard Blues that gave the evening its name - the clash of the artistic, composed and purposefully "artistic" world (not meant pejoratively) with authentic African-American musical expressions springing from the depths of the soul of a man tested by life formed as the centre of the evening. This was not merely a stylistic inspiration, but more thematic, which was also evident in the opening piece of the evening. This was the composition Querelle Songs, inspired by Jean Genet's novel, previously dedicated to Ensemble Opera Diversa, but this time in a new instrumentation.  more

Leoš Janáček's (1854-1928) Moravian national opera Jenůfa was brought to Brno for the Janáček Brno 2024 festival by the Moravian Theatre Olomouc in a co-production with the Janáček Opera NdB. Rather than using the Czech title Její pastorkyňa, the production team, headed by director Veronika Kos Loulová, decided to stage the work as Jenůfa, the name under which it is performed abroad. On Wednesday, 20 November, five days after its première in Olomouc, the audience at the Mahen Theatre could also see the latest domestic take on Janáček's most widely performed opera. The musical staging of the significantly modified original version from 1904 was the work of conductor Anna Novotná Pešková, and the main roles were played by Barbora Perná (Jenůfa), Eliška Gattringerová (Kostelnička), Josef Moravec (Laca Klemeň) and Roman Hasymau (Števa Buryja).  more

The office of Brno - UNESCO City of Music, with the financial support of the South Moravian Region, presents a line-up of active folklore groups (ensembles, chasers, musics) in the Brno region as part of the Year of Folklore Ensembles.  more

Trumpeter Jiří Kotača founded the big band Cotatcha Orchestra ten years ago. Nowadays, he performs a variety of programmes ranging from the most traditional jazz to a visionary fusion of jazz and electronica. We chatted with Jiří Kotača about how the orchestra has gradually developed, how the original repertoire is blurring the boundaries between jazz and electronica, and also about what fans can expect from the November concert to celebrate the orchestra's 10th anniversary. We also talk about Kotača's International Quartet, as well as how the trumpet and flugelhorn can be enriched with effects.  more

On Saturday, 24 August, the Korean radio orchestra KBS Symphony Orchestra with its musical director - Finnish conductor and violinist Pietari Inkinen - came to Brno's Špilberk Festival with an exclusively romantic repertoire. The invitation was also accepted by South Korean violinist Bomsori Kim, a graduate of the prestigious Julliard School.  more

For a quarter of a century now, the Brno Philharmonic has been organising the Špilberk Festival at the end of August in the courtyard of the castle of the same name. Four open-air musical evenings offer the audience a selection of concerts featuring classical, film and computer music, as well as often jazz and other genres. This makes it a diverse mix of performers and repertoires with an often pleasant, summery, laid-back ambience. This year's big and rapdily sold-out attraction was the Wednesday evening of 21 August, full of melodies from the James Bond films, performed by the Czech National Symphony Orchestra, headed by world-renowned conductor, composer and arranger Steven Mercurio. During the concert, the audience also got to enjoy singers Sara MilfajtováVendula Příhodová and David Krausmore

As part of its European tour, the Taiwanese Taipei Philharmonic Chamber Choir (TPCC), under the direction of artistic director and choirmaster Dr. YuChung Johnny Ku, took the city up on its invitation and visited Brno. The concert was held on Monday, 13th August in the hall of the newly renovated Passage Hotel.  more

The final concert of this year's season of the Brno Philharmonic was devoted to works by Antonín Dvořák and Jean Sibelius at the Janáček Theatre. On Thursday, 20 June, Danish conductor Michael Schønwandt, who had not appeared before a Brno audience since January last year, took the lead of the Philharmonic. In the first half of the programme, the orchestra was accompanied by violinist Alexander Sitkovetskymore

Editorial

In mid-June, the Brno City Theatre will be hosting a festival showcase of professional theatre entitled Dokořán (Open Doors for) Musical Theatre, the only festival dedicated to presenting contemporary musical theatre works. The festival's dramaturgs have compiled a selection of ten of the most interesting productions representing the best currently on offer on stages at home and abroad. The show will be complemented by an exhibition marking 80 years of the Brno City Theatre, as well as a concert by Meteor from Prague.  more

One of the world's finest cellists and one of the 20th century's most challenging symphonies. This is the programme of Schumann and Shostakovich, a concert the Brno Philharmonic has been preparing for this week. Steven Isserlis is coming to Brno to perform Robert Schumann' s Cello Concertomore

Flautist Michaela Koudelková has launched a Hithit campaign to raise funds for the release of her first CD featuring sonatas by G. F. Handel and A. Corelli on the renowned SUPRAPHON label. The project will showcase the virtuosity of Czech musical artists. The choice of repertoire is also unique, as it is almost unheard of performed on the recorder.  more

The Concentus Moraviae International Music Festival celebrates its thirtieth birthday this year. From May to June it will offer its fans almost forty concerts in impressive venues in twenty festival towns and cities. The festival dramaturgy has been prepared by Jelle Dierickx, who has dubbed the whole event "Rondo Festivo". The playful title is a nod to the festive anniversary year as well as this year's artist in residence, French keyboard virtuoso and composer Jean Rondeau.  more

Today, Culture Minister Martin Baxa announced the results of the selection process for the new General Director of the National Theatre and appointed Martin Glaser to the post. He is expected to start on 1 August 2028.  more

Nine days, three cities, four concerts, 51 young singers. Kantiléna, the children's and youth choir of the Brno Philharmonic, is preparing for a prestigious American tour, presenting mainly Czech composers to local audiences.  more

After more than 50 years, a new production of Puccini's Manon Lescaut returns to the Janáček Theatre as the opera directorial debut of Štěpán Pácl and with music conducted by Ondrej Olos.  more

The Brno Contemporary Orchestra (BCO) will be serving up a Culinary concert that will show that sounds can be as captivating as the most refined dishes. The event will take place in the dining room of the Masaryk Student Home in Brno and is subtitled "Dinner for Magdalena Dobromila Rettig". However, do not expect food on the table, but music - the main course will be the musical works of Ondřej Adámek.  more

The National Theatre Brno invites Brno lecturers, educators in culture and anyone working in audience education at cultural and educational institutions to come along to a joint meeting at the Janáček Theatre.  more

A gig by hypnotic British trio Mammal Hands combining jazz and electronics will open the twenty-fourth annual JazzFestBrno festival at the Fléda club. Newly additions to the line-up are the May concerts of pianist Nikol Bóková with her trio, double bassist Klára Pudláková with MAOMAH, and guitarist David Dorůžka, who will be launching a new joint album with the Piotr Wyleżoł Quartet entitled When the Child Was a Child. From the beginning of February to May, the festival will offer thirteen gigs by some top world jazz stars, as well as performances with a club atmosphere from the Club Life series in the stylish Cabaret des Péchés.  more