Carmen

The music of Bizet's Carmen hides French esprit and Spanish passion. After all, who doesn't know immortal opera hits - the famous Habanera, or the aria of the bullfighter Escamillo. But what if there's something more hidden behind the story of the fleeting nature of love? At the beginning was a short novel by the French writer Prosper Merimée about Don José, who deserted the army because of a foolish passion for a wild gypsy, became a smuggler and a murderer. Carmen, directed by Tomáš Pilar, returns to the original story and reveals additional layers of individual characters - the characters here are mainly people who came from completely different backgrounds. It's not just about Carmen's fleeting and unbridled love, which the jealous José cannot cope with. It is a clash of two worlds – the orderly, neat world of José and Micaëla, bound by predetermined rules, and the world of gypsies and smugglers living day to day, without laws and governed by momentary impulses. Their worlds suddenly intersect, but this difference creates tension and a clash that leads to the complete destruction of both of them. Neither of them is able to prevent it, because neither is willing or able to back down.