The musical for the actors, or as the author himself states the "grandiose mini-musical", is a story of love and murder from the days when Europe danced a waltz. The very essence of the story, which takes place in Paris in 1914, is a reconstruction of the trial, in which the wife of the Minister of Finance, Robert Caillard, is accused of murdering the editor-in-chief of Figaro magazine. Are the motives for the murder really just compromising materials that the journalist allegedly owned? Or is there more to the crime?
One Spring in Paris or Bloody Henrietta
03/04/22, 19:00
