Events

A famous cocktail of styles that fans of various musical expressions can agree on. It is no coincidence that they have already won two Grammy Awards and three other nominations. The Canadian BadBadNotGood are, however, a two-in-one collective. First, an instrumental trio, and second, a production team – and they are successful in both areas of their activity. As producers, they operate mainly in the hip hop sphere, and have collaborated with such great personalities as Tyler, The Creator (who, by the way, helped them greatly in the beginning to kick-start their careers), Kendrick Lamar, Ghostface Killah and Charlotte Day Wilson.

During the big cleaning of the Besední dům, we found a chest. What's in it? We don't know! But it seems that it could have belonged to the famous composer Ludwig van Beethoven himself!!! We haven't been able to open it yet, but we believe that it will reveal many of the composer's secrets right in front of our young listeners. The interactive concert is intended for listeners aged 6-12. hosted by: Kristýna Drášilová and Josef Škarka conducted by: Zdeněk Nádeníček performed by: Brno Philharmonic Orchestra venue: Besední dům length: 60 minutes the program is suitable for pupils of the 1st and 2nd grades of primary schools

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

During the big cleaning of the Besední dům, we found a chest. What's in it? We don't know! But it seems that it could have belonged to the famous composer Ludwig van Beethoven himself!!! We haven't been able to open it yet, but we believe that it will reveal many of the composer's secrets right in front of our young listeners. The interactive concert is intended for listeners aged 6-12. hosted by: Kristýna Drášilová and Josef Škarka conducted by: Zdeněk Nádeníček performed by: Brno Philharmonic Orchestra venue: Besední dům length: 60 minutes the program is suitable for pupils of the 1st and 2nd grades of primary schools

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

The varied musical comedy show combines two essential and traditional values ​​of the Brno City Theatre. The first is the connection to the Bishop's Court, which will become the summer stage of our theatre for the fourteenth time, in accordance with the tradition that we present here mainly world premiere productions that are written specifically for this magical environment. We are also preparing for next year the realization of an original play that draws thematically from the history of our city and for which the use of the fate of an extraordinary personality connected to our city is significant. The second value is the extraordinary singing and musical potential of our artistic ensembles.