Events

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

Two worldviews, one border between them – one embodies reason and light, the other is elemental, dark and irrational. One night, a charismatic shepherd arrives at the Christian court of King Roger, disrupting the established order of Christian values ​​and worldview. Does his teaching bring joy and goodness or only destruction and chaos? The opera King Roger by Polish composer Karol Szymanowski does not offer a clear answer; he himself described it as a mystery whose theme is man’s self-knowledge, his sexuality and spirituality.

For the second grade of elementary schools, high schools and secondary vocational schools Introduce students to theater genres in a different way! What do opera and ballet have in common and how do they differ? What does the process of creating a production look like from the first idea to the finished performance? What professions work in the theater and what do we actually need them for? What do a choreographer, director, costume designer or set designer have to think about to make a performance successful? We will find the answer to these and many other questions together at the workshop – How is opera made x How is ballet made? The workshop also includes a short tour of the Janáček Theater.

For the second grade of elementary schools, high schools and secondary vocational schools Introduce students to theater genres in a different way! What do opera and ballet have in common and how do they differ? What does the process of creating a production look like from the first idea to the finished performance? What professions work in the theater and what do we actually need them for? What do a choreographer, director, costume designer or set designer have to think about to make a performance successful? We will find the answer to these and many other questions together at the workshop – How is opera made x How is ballet made? The workshop also includes a short tour of the Janáček Theater.

Sometimes a single second is enough… Black and White is essentially a modern version of the flagship of the classical repertoire – Swan Lake. It is a title that is one of the most performed ballets in the world. Our version, which was a great success in the USA, represents today. It is an attempt to approach this work to the younger generation from a different perspective, by denying all traditions and visually transforming Swan Lake as such. In the classical version of the ballet, the dominant characters are ballerinas (the main double roles of Odette – Odile), so it is mainly a statement of the female element. In our version, we offer a view of Swan Lake through the main character, Prince Siegfried, who is going through a difficult life situation associated with the treatment of a serious illness – cancer. Sometimes a second is enough – and life is turned upside down.

Two worldviews, one border between them – one embodies reason and light, the other is elemental, dark and irrational. One night, a charismatic shepherd arrives at the Christian court of King Roger, disrupting the established order of Christian values ​​and worldview. Does his teaching bring joy and goodness or only destruction and chaos? The opera King Roger by Polish composer Karol Szymanowski does not offer a clear answer; he himself described it as a mystery whose theme is man’s self-knowledge, his sexuality and spirituality.

The musical production Golden Lyre will reveal the backstage and present the Bratislava Lyre Festival as a phenomenon of the time, without nostalgia, without idealization, but with perspective, humor and naming the defects of the former regime, which presented this exceptionally watched and popular event as a showcase of the culture of socialist Czechoslovakia. Lyre – golden, silver or bronze… In a single night, it created stars out of performers and hits out of songs. However, one inappropriate verse from the Lyre Stage caused a ban on creation and public performance, and managed to destroy the careers and lives of performers and their families.

Sometimes a single second is enough… Black and White is essentially a modern version of the flagship of the classical repertoire – Swan Lake. It is a title that is one of the most performed ballets in the world. Our version, which was a great success in the USA, represents today. It is an attempt to approach this work to the younger generation from a different perspective, by denying all traditions and visually transforming Swan Lake as such. In the classical version of the ballet, the dominant characters are ballerinas (the main double roles of Odette – Odile), so it is mainly a statement of the female element. In our version, we offer a view of Swan Lake through the main character, Prince Siegfried, who is going through a difficult life situation associated with the treatment of a serious illness – cancer. Sometimes a second is enough – and life is turned upside down.

Two worldviews, one border between them – one embodies reason and light, the other is elemental, dark and irrational. One night, a charismatic shepherd arrives at the Christian court of King Roger, disrupting the established order of Christian values ​​and worldview. Does his teaching bring joy and goodness or only destruction and chaos? The opera King Roger by Polish composer Karol Szymanowski does not offer a clear answer; he himself described it as a mystery whose theme is man’s self-knowledge, his sexuality and spirituality.

tragicomedy with songs about the icon of world show business A phenomenal singer, a movie star, the brightest and most tragic American star... that was Judy Garland. Peter Quilter's tragicomedy gives viewers a glimpse into one of her last attempts to return to the stage. However, the fatal cocktail of fame, stimulants, financial instability and failed marriages will not make it any easier for her this time either. Who really wants to help her and who is after their own benefit? Can a new love save her or will she sing her greatest hit Over the Rainbow for the last time? A unique acting and musical opportunity for Monika Absolonová, who will sing Judy Garland's greatest hits accompanied by a live band. Cast: Monika Absolonová, Jan Nedbal, Saša Rašilov / Milan Němec, Petr Pěknic / Adam Kraus

JOHN CAGE Composed Improvisation for snare drum

ANDREW THOMAS Merlin for marimba

FRANCO DONATONI Omar, two pieces for vibraphone

JOHANN SEBASTIAN BACH / arr. FERRUCIO BUSONI, ADÉLAÏDE FERRIÈRE Chaconne from Partita No. 2 in D minor BWV 1004, arranged for marimba IANNIS XENAKIS Rebonds for percussion Adélaïde Ferrière marimba and other percussion

historical comedy in the style of a pop concert The performance is presented under the license of Concord Theatricals (www.concordtheatricals.co.uk). A colorful and exuberant party combining musical, pop concert and historical facts. Each of the six wives of the British King Henry VIII. gradually tells her fate, including various piquancy, to prove to each other who suffered the most because of their common husband and his somewhat dubious moral principles. In the roaring eighty-minute concert battle, you will find six great performers, a four-member all-female band and catchy melodies that have thrilled fans all over the world, where the musical Six has collected dozens of various awards. Modern, energetic and provocative work breaks genre boundaries and will undoubtedly attract audiences of the young and middle generation in particular. Cast: Kateřina Chrenková / Linda Nosková, Soňa Hanzlíčková / Felicita Victoria Prokešová, Vendula Příhodová / Charlotte Režná, Leona Černá Stříbrná / Andrea Holá / Eva Staškovičová, Natálie Dvořáková / Natálie Grossová / Kristýna Málková (understady), Ivana Korolová / Lucie Pragerová and the orchestra of the musical DJKT.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

The musical was based on the legendary film Some Like It Hot with Marilyn Monroe. It is unbelievable, but the aforementioned film was first shown almost sixty years ago, in 1959. The musical of the same name then achieved extraordinary success worldwide, and in December 2008 it was brought to the stage of the Municipal Theatre in Ljubljana, Slovenia, by director Stanislav Moša. He has now also taken on the direction of the production in our theatre. Two poor musicians accidentally get caught up in a war between mafia gangs. They are being hunted and have no choice but to hide safely. They change into women's clothes and get hired by a band going on tour to Miami Beach. Florida becomes a unique opportunity for the homeless musicians to disappear from the mafia's sight... However, their crazy adventure is far from over! Their disguises lead them into countless comical situations, and to top it all off, both our heroes fall in love with a charming singer and ukulele player named Sugar. As if all this weren't enough, one of our charming musicians, dressed in a woman's dress, is proposed to by an elderly millionaire...

During the big cleaning of the Besední dům, we found a chest. What's in it? We don't know! But it seems that it could have belonged to the famous composer Ludwig van Beethoven himself!!! We haven't been able to open it yet, but we believe that it will reveal many of the composer's secrets right in front of our young listeners. The interactive concert is intended for listeners aged 6-12. hosted by: Kristýna Drášilová and Josef Škarka conducted by: Zdeněk Nádeníček performed by: Brno Philharmonic Orchestra venue: Besední dům length: 60 minutes the program is suitable for pupils of the 1st and 2nd grades of primary schools

Two worldviews, one border between them – one embodies reason and light, the other is elemental, dark and irrational. One night, a charismatic shepherd arrives at the Christian court of King Roger, disrupting the established order of Christian values ​​and worldview. Does his teaching bring joy and goodness or only destruction and chaos? The opera King Roger by Polish composer Karol Szymanowski does not offer a clear answer; he himself described it as a mystery whose theme is man’s self-knowledge, his sexuality and spirituality.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

A famous cocktail of styles that fans of various musical expressions can agree on. It is no coincidence that they have already won two Grammy Awards and three other nominations. The Canadian BadBadNotGood are, however, a two-in-one collective. First, an instrumental trio, and second, a production team – and they are successful in both areas of their activity. As producers, they operate mainly in the hip hop sphere, and have collaborated with such great personalities as Tyler, The Creator (who, by the way, helped them greatly in the beginning to kick-start their careers), Kendrick Lamar, Ghostface Killah and Charlotte Day Wilson.

During the big cleaning of the Besední dům, we found a chest. What's in it? We don't know! But it seems that it could have belonged to the famous composer Ludwig van Beethoven himself!!! We haven't been able to open it yet, but we believe that it will reveal many of the composer's secrets right in front of our young listeners. The interactive concert is intended for listeners aged 6-12. hosted by: Kristýna Drášilová and Josef Škarka conducted by: Zdeněk Nádeníček performed by: Brno Philharmonic Orchestra venue: Besední dům length: 60 minutes the program is suitable for pupils of the 1st and 2nd grades of primary schools

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

During the big cleaning of the Besední dům, we found a chest. What's in it? We don't know! But it seems that it could have belonged to the famous composer Ludwig van Beethoven himself!!! We haven't been able to open it yet, but we believe that it will reveal many of the composer's secrets right in front of our young listeners. The interactive concert is intended for listeners aged 6-12. hosted by: Kristýna Drášilová and Josef Škarka conducted by: Zdeněk Nádeníček performed by: Brno Philharmonic Orchestra venue: Besední dům length: 60 minutes the program is suitable for pupils of the 1st and 2nd grades of primary schools

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

Director Stanislav Moša is staging Nezval's text for the second time, having first done so in 1995, when the theatre celebrated its fiftieth anniversary with this production in the newly renovated hall on Lidická Street. At the time, the director and manager wrote about Nezval's text: "There is little Czech theatre literature that can be said to be a poem. Through it speaks a true passion bound by an amazing form enchanted in the beauty of the Czech language." Moša's adaptation of Manon Lescaut, which was subtitled "lyrical drama-confession", broke away from the linear narrative of the well-known story and created a timeless parable. The old abbé de Grieux recalls his fateful relationship with a sinful saint, which gives the originally lyrical story dramatic dimensions and brings to life long-ago secrets, hints and loves in the memories of a man at the end of his life.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

In 2024, it will be 200 years since the birth of Bedřich Smetana – a composer who laid the foundations of Czech music and, in a broader context, Czech culture. As part of the Year of Czech Music, the Smetana200 program will take place throughout the country, the basic goal of which is to celebrate the personality of Bedřich Smetana and his work, spread awareness of his music and, in this context, promote the image of the Czech Republic as a country with enormous musical and cultural potential. Not only in connection with this anniversary, the Brno Municipal Theatre decided to look at one of Smetana's most famous works through its own lens and chose the comic musical play The Bartered Bride for a new premiere at the Bishop's Court. It is certainly no surprise that the audience will not be presented with the traditional performance of the popular Prodanka, but rather a new original treatment of this iconic work. In 1883, Vilém Černický, a civil servant, journalist, publicist and editor of Textilní listy, wrote a one-act comedy entitled Why Should We Not Be Happy? The play was dedicated to the Czech National Theatre Cooperative in Brno, which at that time had been actively trying for two years to create the conditions for the establishment of an independent Brno theatre, performing regularly in Czech in what was until then, in terms of culture, almost exclusively German.

The varied musical comedy show combines two essential and traditional values ​​of the Brno City Theatre. The first is the connection to the Bishop's Court, which will become the summer stage of our theatre for the fourteenth time, in accordance with the tradition that we present here mainly world premiere productions that are written specifically for this magical environment. We are also preparing for next year the realization of an original play that draws thematically from the history of our city and for which the use of the fate of an extraordinary personality connected to our city is significant. The second value is the extraordinary singing and musical potential of our artistic ensembles.